0 Members and 1 Guest are viewing this topic. Read 46914 times.
Hi Neo,I respect your opinion and your experience too. How could I be "more wrong" by actually selecting the input capacitance value of my phono stage, and then listening to decide which sounds more correct? That is what I do at home in real time and real space. Listening is not a simulation. I choose the value of C that sounds best while I am playing the record, not what the math tells me to choose. In my case either 470 or 220 pF sounds the best, with 470 being the most often used. If I go by theory alone then I cannot stand to listen to most of my pop/rock collection.Thanks for the link. I have read that article before (and many others) and I know what you are getting at. Those are nice simulations and calculations but they don't tell the whole story. Did you notice that they also play with the input resistance as well as the capacitance? Not that it matters ....... the proof is in the listening, not the simulations. The calculations are good for getting a general understanding of how the load might react, but they do not really represent what is actually happening while the cartridge is talking to the load, and the load talking back. You have to play the record to get that data. (You have to listen to it.)Well, we will have to agree to disagree on this one. I know that I am way outnumbered on this topic, (which should be another thread anyway) and I can only speak for my own cartridge and system, and what I hear at home. But to recap, the main reason I brought up the capacitance is that I noticed there was none (zero) in the front end of the Bellari. I think there should be some, especially if you are picking up a radio station. Or perhaps if you hear way too much sibilance in those Paul Simon records. It's just one more thing to explore and you can decide for yourself if it helps or it hurts. I think experimenting is ok, isn't it? Sure it is.Cheers everyone!
I was wondering about the self capacitance or miller capacitance of the tube and op amp. Wouldn't that tend to limit bandwidth and help block RF ?Guess it wasn't enough to stop that local radio station.neo
Guy,You don't have to modify your phono stage to see if a little more capacitance helps (or hurts). Put a RCA barrel type adapter on the input of your Bellari. Now you have two inputs. Plug your regular phono cable into one of the RCA jacks. You can solder a small capacitor on a RCA plug and plug it into the other end of the RCA adapter.You can get inexpensive 100 220 330 pF capacitors and make your own capacitor loading plugs to play around and listen for yourself. If you don't like it or it doesn't help your phono stage is still like new.Hopefully the rewire will fix your problem and you won't have to try it.Here is a picture of the style of adapter : http://aphroditecu29.com/ViaBlue/Image/XS%20Series/xs_cinch_adapter_y_2.jpg
Now theoretically a phono pre-amp can't pick-up FM transmission. But real world FM transmitters also have an AM component that can be de-modulated by nearby sensitive circuits.This Jim Brown paper has more about EMC (EMI/RFI interference) than most need to know.Don't let the title fool you."A Ham's Guide to RFI, Ferrites, Baluns, and Audio Interfacing"by Jim Brown K9YCAudio Systems Group, Inc.http://audiosystemsgroup.comThe basis of this tutorial is a combination of my engineering education, 55 years in ham radio, mywork as vice-chair of the AES Standards Committee working group on EMC, and extensive researchon RFI in the pro audio world where I’ve made my living. http://www.audiosystemsgroup.com/RFI-Ham.pdf
"The FM interference is almost gone, I have to turn the volume control to maximum and put my hear against the speaker to hear it, but it's still there.However, there is a fairly loud hummm... At maximum level, which is not where I set it to listen to music."What about that hum at normal listening levels, can you hear it?If you had the cartridge rebuilt with a new tip and cantilever, it might take a few hours or more for the suspension to settle in. neo
Hi Guy13if you have such problems it's got to do with the phono preamp...not the tt...good luck in finding the fault...
Hi Georgopoulos.The more I circle around the combo (Rega RB301 arm + Bellari VP129 phono stage) the more I think the problem might be the Bellari, because the Rega arm is sheilded properly and connected to the Bellari grounding lug.I will do more investigation, even if it makes me more aggressive... Guy 13
Guy,It's probably just a little older than advertised. Do you think it would be worthwhile for them to copy the entire table? It's a shame you sold the Linn, but all you can do now is move on.Okay, that looks better. Now, the question is, where does that black ground wire go to inside the arm, and is it still connected in there? It should be connected to a ground inside the arm, if it wasn't pulled out. If that black wire is disconnected inside, then you would have to make a ground connection on the aluminum part of the arm tube or pillar. Lets assume (at least for now) that it's still connected inside.Now, what you have to do is disconnect that bridge between the bottom ground connector for the black wire, and connector for the left channel ground (blue). Don't worry about that brown strap. It shouldn't matter. Here are instructions for a complete DIY rewire job, including making a new ground connection inside the arm. Hopefully, you won't need it:http://www.vinylengine.com/hotwiredrega.pdfneo