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Hi, first post here.I’ve been following this thread for a while and received a Promitheus DAC earlier this week (used from original owner).As several others have reported, mine also has a significant amount of hum/noise. Has anyone with the hum/noise heard back from Promitheus on this, or resolved the issue in some other way? Given that several folks are experiencing this, does this appear to be a design/quality issue with some units, or perhaps a part that gets easily damaged in shipping (mine was double-boxed and packed very well by the original owner, and I do not see any obvious internal damage)?Here are my specific observations and things I tested:The noise/hum is audible from my seat (3 meters from the speakers) when I pause my transport and when no track is playing, with the preamp’s volume at a moderate setting of around 9 o’clock. The noise/hum tracks with my preamp’s volume level.The noise/hum is present when no digital cables are connected, as well as when a coax digital cable is connected. Interestingly, when no digital cables are connected there is a low hum and high whine from both the coax and BNC inputs. However, when a digital cable is connected to the coax input, the coax produces only the hum (no whine), but the BNC still produces the hum and whine.In troubleshooting this, I tried all of the usual suspects – tried 2 different power cords, 2 different analog cables, 2 different AC circuits, moved the DAC to different locations, tried a cheater plug to lift the ground. Nothing had an impact on the noise/hum.I also tried the various output voltage jumper positions. The noise/hum is present in all positions, but varies in relation to where the noise/hum becomes audible vs. preamp volume setting. The other thing I noticed is that the output voltage from my jumper settings does not appear to match what is in the manual. For example, the middle jumpers are the loudest on my unit, but according to the manual, the middle jumpers should be the middle (2v) output. Does this mean there is something wrong with my unit?The one last thing I can think of to try is to get a RCA-BNC adapter and connect digital cables/sources to both digital inputs simultaneously. The thought here is to see if perhaps noise is entering the unused BNC input. I know this is a long shot.I know that Nicholas from Promitheus posts on this thread, so I hope he (and others) will comment on this issue and how to resolve it.I will also send Nicholas an email on this.Thanks,Adam
AdamIf you can send me the board back, i can get it fix and send it back to youi just need the board only to fix itthanksNicholas
Quote from: PromitheusAudio on 9 Feb 2009, 02:53 pmAdamIf you can send me the board back, i can get it fix and send it back to youi just need the board only to fix itthanksNicholasNicholas,Could you see something “wrong” with the board from the pics in the link I emailed you last week?Thanks for the offer to look at the board. However, desoldering, shipping, and resoldering the board are not an option for me, as I do not have soldering experience/tools.The original owner has agreed to provide a refund, so I will be shipping it back to him.
Hey Mart and Tan,Thanks for the advice regarding the GD discrete modules. I'd gotten the correct units (singles) and the extensions so I could hook them up without having to mess with anything on the main board, but I was assuming the chassis was an ideal place to attach the white "ground" wires. Oops! Those need to be attached to the signal grounds coming off the board to (and then from) the transformers on the right side of the DAC. Once I got the grounds connected correctly the units work like a champ... and I agree with the others who have tried them... they are a very worthwhile upgrade. And they work wonderfully at the +12 and - 12 volts the DACs are preset to, so I didn't have to adjust the voltage to them (whew!). Neil
Hi Craig,I e-mailed the folks at GD Audio and basically said my DAC now sounds more like good vinyl. Marginal discs are less offensive sounding and well recorded discs sound spectacular. Instruments seem to have more body and more accurate tonal characteristics, and in some cases more weight (double bass for example). Singers seem more present (3D) or in the room with me (or me with them), and female vocals that previously could sound a bit shrill are more relaxed and smoother sounding. The extreme top end seems to have a bit more clarity and shimmer (can hear more of the harmonics of instruments like cymbals or triangles or bells), and seems a bit more extended as well. The DAC seems to be capturing and revealing more information (lyrics seem more intelligible), yet simultaneously it sounds more organic or musically natural. I was at a local symphony concert last weekend and came home and fired up recordings of what had been played and was pleasantly surprised with how close my system matched the general character of the orchestra. Previous trips to the symphony have lead me down the upgrade path more often than not. The dynamics seem a smidge more ... uh... dynamic, both micro and macro. The bottom line is, I find myself listening to more music, and re-discovering all sorts of discs, and I am watching TV and reading less. Always a good sign.Neil
Good to hear you like the GD audio stuff.We are now focusing more with the Burson audio. Now i am keeping them in stock for use with our DAC. I prefered the Burson over the GD audio when i compared them Will do a special "burson edition" dac shortly
Can someone please post a picture of the Moon OPA's installed in the DAC, I want to see where the ground wires are soldered exactly.
It is generally accepted that clock jitter below 200ps rms is inaudible; although there are some who claim to hear as little as 2ps. Most S/PDIF receivers have <200ps jitter. So, the question is: Why would a DAC designer deliberately increase clock jitter by orders of magnitude, as is the case with asynchronous reclocking, and why doesn’t anybody hear it?