Okey doke. I had a fun visit with Beez and this was my first real chance to "listen to power." All up I thought it was very interesting how much and the kinds of differences I noticed, I did have to stop the "engineer" in me from trying to rationalize and explain what I was hearing more than once
I'll add to what Beez said, we had about 2 1/2 hours to compare things, and let's face it you can only compare what you have on hand. Also, we didn't attempt to isolate the effects of different power cords either, we tended to use what was convenient. OK. When switching the SACD1000 and the CJ pre between power filters, I too thought the BPT was the most natural sounding. We didn't attempt to figure out if it was because of the DAC of the preamp or both. The Risch filter, well blow me down but it was like Beez sez. I have it back in my system now and don't notice any of that effect, but I'm not comparing side by side with anything. I will try to compare it to non-filtered power soon as I don't want to say I don't like it based on that one session. Also, I have only a transport and DAC on it, as I use a passive pre. I suspect many of these things are system-dependent.
The BPT is more $$$ than the DZ certainly. Also you can run power amps off the DZ but not from the BPT, you have to get a bigger unit. I'm not sure what else is in the BPT, but anyway if I ever "get serious about power" the BPT convinced me that balanced power is worth looking into.
Comparing the UO and the DZ on the Dual Mono Stratos was interesting. I was surprised it made as much difference as it did on a power amp. Again we didn't compare any of the power conditioners to plugging the amp straight into the wall, since the DM Stratos has two power cords... On the Gabriel I liked the DZ more, there was more detail and better imaging... but then... waitaminnit! On the Holly Cole, the DZ made (to my ears) Holly sound a bit sterile, whereas the UO made her voice more... ah... "moist", if you know what I mean. Once we switched back and forth a few times the differences became clear. It was like the difference between solid state and tubes (again, if you know what I mean, don't nobody get offended...

). I would not be at all surprised if many people preferred the crisper clean presentation of the DZ but on that track... well I felt I lost something with the DZ. I'm not sure that, having heard the difference, I would be longterm-happy with the UO either, I guess what I would *really* want

is the presentation of the UO with some of the detail of the DZ, both at the same time....
I really wasn't sure what to think when we plugged the UO and the BPT into the DZ. I thought it might have been a bit in between but really don't know.
Well, that's my comments on our listening. Remember, this is what I heard in Beezer's system with a few tracks we had on hand. If you really wanna know you'll have to get on the audition list yourself

I suppose my only regret is that it wasn't possible to compare the power filters against nothing at all. Perhaps next time. Nonetheless it was very interesting and I thank Beezer for letting me come over and spend some time and Jerry for organizing the DZ "tour."
JohnR