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Wayner is probably the best cat to answer that. I'm still tryin to get optimal on my own. Optimal sounding.
Wayner, your opinion, your research, is well regarded in these parts, you bet yer dang skippy. So, for dummies like me, what BaMorin says about when the cartridge body is parallel to the phono record at rest, the stylus cut would then equate to 92 degrees tracking in use is incorrect. If I misstated Ba, please clarify. Thanks. I'd still like to know where that illustration came from. Is that something you created? Thanks, again.
Were you able to open the links to DaveyW's web site? If so, did you look at how the diamonds were cut on the 8MR, MCZ, Sonata-1? Did you compare the cuts to the standard elliptical cuts? If so, on the 3 mentioned styli, find the centerline of the diamond where it attaches to the cantilever and follow that line down to the very tip. You should find that the tracing face of those diamonds run offline of that center line. When the stylus itself is 90deg perpendicular to the vinyl, the tracing cut of the stylus will be at (or about) 92deg.
I've tried to respond to this post 3 times.......my posts get bounced, adding this one to see if it makes it through the powers that be.
What is in your picture, John? Looks like a tin of something and some gold bars.Please post, Ba.
Oooofa Jim...tin???!Ag (silver) and Au (gold), babeeee! Real money for at least the past 5000 years of recorded history.{EDIT - what's pictured, in particular, are wonderful 100oz bars - often referred to by bullion owners as STACKERS. They're really quite handy (but very pricey) as door stoppers 'cause they weigh a very dense and concentrated ~8lbs each }Now we're WAAAAY off topic....but, I use a Grado Gold1 (hehe, worked it back on to topic) with van Alstine outrigger, damped coils and a shibata stylus from a G1+ Grado and it's incredibly organic and pleasant sounding to me. John
Good question Jim.
Anyway, it appears with magnificaton that my Signature Reference stylus is at a perfect right angle to the record groove. Things are fuller, more saturated, even a bit larger. Sections and individual images in both large and small works are layered and 3D. I have regained that with real fine tuning along with superb ambience. Tone is much truer to my senses. I'm a happy muthajumper. Thanks, everybody. I would recommend experimenting as I have to anybody. It's been worth it.
Hi Jim,So you reckon the optimum for your Signature Reference is a 90 deg angle? I just checked my Reference Reference (which is the 4mV version of yours, so should be the same) and I currently have it just over vertical. So I'll play around tonight with getting it back to 90 deg and see how I like it. Thanks,Andy
For instance, in the Rega tonearm lineup, the more expensive arms are similar but they were hand picked for better tolerances. Maybe the same is true in cartridge manufacturing. Paul
Help me understand this a little better.... if I draw an imaginary verticle line down the center of this piece, then yes I see greater than 90 degrees SRA. Is this how we determine the angle, by the imaginary line down the center?