I'll jump in.
A friend of mine had given (or semiperminately loaned) me a Thorens TD-145 w/ a lower end Shure cart. Since I had a pre w/ a phono stage, I thought I'd give it a try. Well, the belt was pretty much shot, the phono plugs were corroded, and the lift mechanism was messed up. (I had to duct tape the knob to get the lift to stay down.) Sounded basically like crap, though there was something to the mids that got me thinking I might like to pursue this further. I realized I had no knowledge of how to bring this back to life, even after extensive online searches for info. And there is no local help.
So I got a new P3-24. Unheard. Hell, I'd never even seen one in person. I was actually put off by the look at first. I wanted the classic appearence of the Thorens type deck. You know, a wood base w/ a nice aluminum top plate. But this was a flimsy looking thing. However I plunged ahead.
It was not 'plug and play'. I had to learn about how to install and align the cart. (and which would work......sadly a Longhorn'd Grado did not work), learned about VTA (had to get a shim) and isolation (brass points, maple plank and isoblocks)
I think it sounds great. I'm amazed at the musicality you can get for around the $1K point. The look has grown on me. My inner 'engineer' appreciates the KISS principle at work. I really don't want to seem like a Rega 'fanboy'. I have not heard any other comparable decks.
I normally do not buy new gear (or cars) but in this case, I'm glad I did. It helps keep this small part of the hobby/industry alive for one thing. I'm happy some folks at the Rega factory got to pick up another paycheck.
Yeah, I'd still like to have a classic Linn LP-12, but I'm gonna have to aquire a lot more knowledge....and cash to make that happen.
In the mean time, I'm happy with my new table, and my newfound knowledge on how to make it work.