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Is this the $14K ML3?
Are there pictures of it craping on the ML-1s?
How does it compare to another 2-way 8" speaker from Australia, the Event Opal?
I hope that you aren't having to spend all your hard earned cash on all these dacs . I'm still using my perpetual technologies p3a (modwright mods) dac with provides me with good results. I'm sure that there are better dacs but I'm done at the moment buying hifi gear. Have you now settled on the dac that you are going to keep? I'm pretty useless at listening and comparing gear because by the time I remove a component and then replace it I seem to have forgotten what it sounds like .
Obviously can't say without a listen. But I can say the ML3's are simply the best speaker I have ever heard and they are flat to 25hz. I doubt a bookshelf's could compete. And they have a midrange like Quad Electrostatics.Actually I may be able to say something. These are studio monitors. I was with Mike today checking out the Tranquility (it had just arrived) and a pro audio guy rang. He was just down at a pro audio store checking out some pro audio monitors. He listened to a few - some quite a good deal more expensive than ML1's. He uses ML1's for his studio monitoring and is actually quite scathing of the quality of studio monitors other sound engineers use. After listening to what the store had to offer - he said - they are not even in the ballpark of the ML1's. Hopefully this does not apply to those speakers. Mike lines his speakers with steel and applies other tricks to make them even more dead. They let go of notes like no other speaker I know. ThanksBill
Sources for DAC2 are PS Audio transport via I2S , new Mac Mini 2010 (all files stored as AIFF on Oyen fw external drive). Joule electra preamp to W4S SX-500 Mono Amps.
I have had DAC-2 for 2 months. It has gotten the latest firmware update as well. I replaced PS Audio Perfectwave DAC with WFS DAC-2.
I am quite happy with the performance of DAC-2 so far. The level of details, sound stage, Bass, dynamics, clarity, smoothness are very impressive. I have not noticed any glare or sibilance. I have used just iTunes and iTunes with Pure Music Player. The one difference I found between this DAC and PS Audio perfectwave DAC is that the output level of W4S DAC is slightly lesser so I am having to turn up the volume on my preamp more. I played hirez files from Linn, HD tracks, as well as rips from regular redbook and it handled all well. Just for the heck of it I plugged my PS/3 via toslink to this DAC too:)
Surprised you haven't heard the Event Opals, which can be had in the States for the same cost as the ML1s. They were flat in my room down to 35hz. Did a search over on www.gearslutz.com and couldn't find any posts about the Lenehan ML1s being used as studio monitors.
I am looking for a DAC and have been following the various threads on reviews etc. There are some interesting DAC's in the shootout referred to, but I feel it is only one source of information on the W4S DAC and is in no way more valid to me than the opinion expressed in the 6 moons review. The conclusions about the W4S DAC are quite opposite to those of the majority of users and the professional review in 6 moons. The statement above, which is attributed to one of the DAC builders, displays a high level of disrespect for the average audiophile. I don't agree with it and I feel it is a very striking attitude for a potential manufacturer to use about his future customers. Most of the audiophiles I know are very much music lovers and I find the above statement offensive.
Seek out the products and listen to them? Bill, as per my earlier posts, it seems the AU thread guys are not that interested in making DACs let alone having anyone (outside his circle of friends) listen to one. Are they aware you are over here touting them? If a person from a forum called Audio Circle follows a DAC thread and asks someone half way around the world about his DAC creation, he's hardly a "wanker". And the respondent is hardly a manufacturer. I'm sure these guys are brilliant, and have great ideas and great DACS...but if they don't want to make them for the buying public let's call this what it is, and allow products like WFS (with customer service departments, etc) to compete with "its own kind".
Bob is a consummate manufacturer (and design genius) and makes speakers for anyone who wants them...but if Bob decided to only make speakers for he and his friends I would say that he is no longer commercially viable, yes (which, don't get me wrong,...is quite ok for someone to do, just don't call them manufacturers!).
I know Bob Smith; he is a dear friend of mine. I own FIVE of his best Revelation/Continuum speakers in a full hi-end 2 channel and 5.1 setup. Bob would NEVER say that he would not make a speaker for someone cuz he hates audiophiles or thinks they are wankers. Bob is a consummate manufacturer (and design genius) and makes speakers for anyone who wants them...but if Bob decided to only make speakers for he and his friends I would say that he is no longer commercially viable, yes (which, don't get me wrong,...is quite ok for someone to do, just don't call them manufacturers!). However, that ain't the case with Bob Smith and Aether Audio!! Bad example Bill.
Do you have a link for more info on the ML-3's?
So your concern is about the language Steve used and not the listening issue? What - do you only want me to give links to threads I know that people wont use inappropriate language on? Any one can buy Steve's DAC - his crack not withstanding. And Ted you forget I know only too well your relationship to Bob - I have been frequenting that forum for years. I chose it for a reason - namely you know about it. Bob would never use lanuage like that nor do I think Steven should but he is free to say what he likes. I have met the guy - its simply part of his nature. It attracts a certain type just like Bob Smith does.ThanksBill