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I was using the Vanguard Transport from Pacific Valve when I got my DAC 1. I found the DAC 1 to be an immediate and noticeable improvement over it's predecessor, a Benchmark DAC1.
I want to add virtually every readily available 'commercial' DAC at or below its price point the WFS slaughtered - no contest. These were DAC's like the Havana, the DAC Magic, and Peachtree. Even people who did not like the WFS were shocked at this. At its price point most DAC's are simply not competitive. The sibilance and upper midrange issue only shows up on some recordings eg Barry White seemed to have it particularly bad for some reason. Elvis didn't have it for some reason. And you probably need very transparent and revealing gear to hear it. I use ML1's which are steel lined and actually have the transparency in the midrange of ESL 57's - they were designed for it. It ruthlessly reveals any issue like this. It was not in the recording as A/B comparisons to a much more expensive reference DAC showed. I also wanted to add for example the Havana had even worse sibilance control issues to the ears of the 3 people at the comparison. As I have said before the WFS is a very good DAC close to the very best at any price - just not scary close. ThanksBill
What is the difference between W4S Dac1 and Dac2 apart from price?
Hi,What is the difference between W4S Dac1 and Dac2 apart from price?
Sounds like a system synergy issue to me Bill (I want to add) as I have zero sibilance from my MDHT Havana Dac in my system. In fact I couldn't be happier with the Havana's performance in my system. So your generalizing comment holds no water AFAIC.
Hi,What is the difference between W4S Dac1 and Dac2 apart from price? Not really considering a new purchase but nonetheless I'm still interested in any comments.
What is the lingering doubt?
I meant in this case, if I myself bought the DAC-1, I know I'd be happy but I'd have that "lingering doubt" of: What did I miss out on not going for the DAC-2 instead? That sort of thing.
Theres a few things in the ES9018 which makes them hard to use, the output stage of the chip is quite different to the norm, it lacks things like internal switching capacitors. according to one of the ESS guys the way its designed gives less coloration but makes the quality of supplies far more critical . you need regulation with extremely low output impedance at wide frequency range in certain places to get really good results. Standard LDO type regs are not good enough , these chips are capable of excellent performance but its not easy.
Have you given thought to it being the recording and not the respective DAC that has the emphasis in the upper mids. I'm not trying to argue with what you have heard, but as you've admitted it is only on some recordings. I mentioned that the DAC1 has no upper midrange/sibilance issues in my system unless the recording emphasizes such... I personally feel the Wyred DACs (DAC1 for me) are very neutral and give you what the recording provides with incredible detail.
With issues of personal taste and system synergy relying on internet feedback or reviews is fraught with danger
Too true I have experienced this same problem. I bought a ps audio hca 2 from the US based solely on reviews. I remember reading dozens or outstanding reviews and I only read one negative one from Jerry from 10 Audio. Guess what his review was accurate and I had just sold my aksa 100 nirvana plus and I totally regretted that decision. This hobby can be so expensive sometimes and I cringe at how much hard earned money I've thrown at it over the years . Good luck Bill with your search for a new dac. Perhaps, the tranquility dac will suit your needs better.
I don't have the Wyred for sound dac but do have a BuffaloII (ES9018) with Legato output stage which I have modified and also a highly modified Buffalo32. Is it the Barry White Album with the blue cover? I'll pick it up next time I'm out shopping BTW one of the reviewers on Amazon noted that the recordings was bright My hearing is very sensitive to sibilance , infact my favourite dac before the Sabre was the classic TDA1541S2. As mentioned before if the regulation for the ESS's are not good enough you get some nasties on the output, some places try to add heavy filtering on the output which does more harm than good imo