I was thinking that if the TVC is so sensitive to such details as single vs. double silver wire and ebony knobs, it would probably really respond to experimentation with the materials used for the case and faceplate/backplate.
Both Dennis Morecroft and Yves Bernard Andre (YBA) feel strongly that the case material has an effect. DNM's response is to use acrylic for his amplifier cases and Yves is more conventional but did tell a friend of mine as long ago as 1992 that he found that his amps sounded better with the tops off and even better with the amp in breadboard form, and attributed the difference to the influence of sheet metal in proximity to signal carrying conductors.
He could find no practical way to implement this knowledge, so continued on with conventional construction.
These days, at least among the people who would be interested in a TVC of any kind, there is more of a willingness to entertain the notion of more radical designs, like the Altman Attraction DAC, simply mounted on a slab of wood.
I would like to see a TVC done in wood front and back with a plexiglass, glass or wood top, bottom and sides - at least experimentally.
It might be necessary to use a small amount of sheet metal to mount the ins and outs on the back, but that could be relatively benign as I gather the real culprit is the conductor running close to and parallel with sheet metal as opposed to a perpendicular relationship as would be the case with wires running to connectors on the rear.