Folks, I have now had substantial time with my new 14B2 amp to give some impressions. Keep in mind, I'm a music lover, not a recording engineer or pro reviewer. I had a 4B2 amp, and thought it was end-game. With the 14B2, “end-game” comes again. 14B2 brought three significant improvements: 1. A greater sense of
ease with complex music; 2. Better sound staging; 3. Boosted
transparency of my Vienna Acoustics speakers, so much so that they have “disappeared”.

The 14B2 made everything sound real, like I was no longer hearing recordings, with the best-recorded tracks. And the soundstaging is fabulous: deeper, with width beyond the edges of my speakers. My Mahler 3rd symphony (Bernstein/NY Philharmonic) has loud crescendos, soft string and wind parts, even vocals. It is the ultimate test of a power amp's dynamic range and driver control. 14B2 passed with flying colors -- I heard every detail in 3D, with the throttle wide open. Bass has never been more accurate, treble more tolerable at louder volumes. That's supreme driver control for my speakers. 14B2 allows me to hear the microdynamics, delicate details, amidst macroscopic oceans of precisely placed sound. An iron fist inside a cashmere glove. Oxford's dictionary defines Epiphany as a “moment of sudden and great revelation”. That's my14B2: Epiphany. Bravo Bryston.
Speakers: VA Mozart Grand Symphony Edition, REL T7 sub-bass (single)
Digital Sources: Bryston BDP-1, BDA-1, BCD-1
Line Pre: Bryston B100-SST
Cabling: Cardas Clear Beyond, Clear-M power; Clear and Clear Reflection RCA
Power Distributors: Shunyata Trition and Typhon, Hubbell-5362 outlets.
