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I just remembered "If you can't say anything nice, don't say anything at all", so I deleted my comment.
I'd love the opportunity to gut my room to the stud walls and rebuild it from the ground up with audio & video in mind. And upgrade to the acoustics and wiring would be cool.
In my system, I'm about to install hospital grade, isolated ground outlets using EMT and 10 gauge THHN wires.
goody-goody for you
QuoteIn my system, I'm about to install hospital grade, isolated ground outlets using EMT and 10 gauge THHN wires. I sugges that you install 2 ground wires...one for your system ground, the other for your isolated ground. In many States, they have found that when EMT is installed outside, that over time, moisture can cause enough corrosion making bonding between parts of the conduit system unsafe.In the State of Washington, you can't use EMT installed outdoors as your equipment ground.Just a suggestion.Rick
Quote from: rich121 on 12 Nov 2009, 05:11 pmQuoteIn my system, I'm about to install hospital grade, isolated ground outlets using EMT and 10 gauge THHN wires. I sugges that you install 2 ground wires...one for your system ground, the other for your isolated ground. In many States, they have found that when EMT is installed outside, that over time, moisture can cause enough corrosion making bonding between parts of the conduit system unsafe.In the State of Washington, you can't use EMT installed outdoors as your equipment ground.Just a suggestion.RickThe EMT will be installed inside the house, probably a 25 foot run from the breaker box to the box with the outlets. It would be highly unlikely the EMT would lose ground. However, I've seen others recommend installing a ground to the outlet box because of the potential for EMT to lose its grounding capacity. So, I may do this. Thanks for the tip. (I also am using 3/4 inch EMT, so my fill ratio is low and I can put in another wire with no problems.)What are your thoughts on this with raceways? I installed a raceway in my garage (yet to be inspected, but I took out a permit), and the raceway is grounded at the beginning of the raceway (at a first box). Should I also add grounds to the other two boxes? It wouldn't be hard or expensive to do and would be "above" code.
Hi, getting back to your original post:1. What are some of your priorities in terms of you consider to be "best" in terms of sound? I surmise from your use of time coherent speakers with true subwoofers that you particularly value direct sound and pinpoint localization (a "tight" image) at the possible expense of "ambience" and spaciousness but that you're also looking for smooth and extended bass. I wonder whether many time coherent speakers may particularly benefit from absorption of first reflections because of off-axis response (many have relatively poor off-axis response) and the loss of coherence that early reflections cause. The only measurements I could find for any Green Mountain speakers were for one pair from 15 years ago.2. In terms of the room, what other sorts of things will go into it, are there any windows, how many listeners will there be, and will it be used for anything else (like video or multichannel down the line)? It sounds like this may be a dedicated, private, one-chair listening room.3. Can you do any basic measurements? Knowing some acoustic information about your "shell" can help you get started in terms of looking at specific areas for improvement, particularly in the bass.Even if you're not going to be able to hire professionals at this time, you might start by just taking a look at some of their approaches to listening room construction (the first two were from studs up):Terry Montlick's design for the Music Vault and other projects at http://www.softwaredesign.com/showcase.htmlRives' design for Mike Lavigne's room at http://www.positive-feedback.com/Issue16/lavigneroom.htmThe Walters-Storyk Design Group at http://www.wsdg.com/default.aspKeith Yates at http://www.keithyates.com/You'll see some recurring themes and elements, and it sounds like you'd be able to construct many of these things yourself, like a louvred ceiling (also at http://www.avguide.com/blog/robert-harley-visits-transparent-audio?and-discovers-210-miracle-upgrade). Polycylindrical diffusors should be simple for you, and you may wish to look into making some QRDs. Here is an extreme approach of this: http://www.studiovisa.com/blackbird/default2.asp?file=studioc&name=Studio%20C. Young-Ho