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It's interesting that PB draws so many very contrasting opinions. Some are never attracted to musicians that break the mode or don't fall into comfortable convention. To compare Patricia Barber as a singer to Sarah Vaughan is really unfair. With PB it is not just the voice you should consider but the entire package. She is a very good pianist and much of what she plays are her own compositions. What are you going to do? Listen to continuous loops of SV for the rest of your life or keep eye open for new talent that isn't afraid to take risks and brings a new and unique sound that might not just reflect the standards?-Roy
I haven't read this whole thread, but if she hasn't been mentioned already, you should check out Claire Martin's stuff, particularly Old Boyfriends.Enjoy!-Mike
Ah, but "progressive" by itself isn't music (to me). To progress AND make it still sound musical, THAT'S the genius.
....... that's just my opinion and I'm not a musician - therefore it obviously doesn't count for much.
If you're a fan of female vocals, try Shelby Lynne
I dunno....I gotta side with Frank and Nathan on this one. I don't think much of DK and even less of PB. Sure, they may appeal to some but I would rather jab myself in the ears with an icepick than listen to either of them. Thats exactly why I'm giving Bob my DK and PB CD's. When it comes to unique interpretations and vocal stylings, Cassandra Wilson does a fine job. When it comes to the queens of jazz vocals Ella is probably my all time favorite. After her would probably be a tie between Sarah Vaughn and Billie Holiday (with a slight edge to BH).Music and artists are highly personal and subjective. What works for me likely sounds like cats mating to you. Proof being, I think Oingo Boingo Dead Man's Party is a great album.