0 Members and 1 Guest are viewing this topic. Read 12890 times.
GHMI have to take exception to the notion that I am selling either Bob Brines, or Martin King short. I have stunning respect for both of them, and their work, and have relied on Martin's worksheets about five times now. I think Bob knows the MLTL better than ANYONE, and his designs are fabulous. I, however, was referring to SOUND. Further, I consider both these gentlemen also, cyber friends in audio... Why does the music so often get lost in all of this, with so many people so apparently interested in music? My own thinking is that they are more interested in the equipment. They are "stereophiles." I am first a humble music lover/trained, published musician, cursed with perfect pitch and the ability to play several instruments, as my only reference to that which I choose to like or dislike. My only point was that IN MY OPINION, the Fostex F200A, (which I consider to be a stunning industrial achievement in the Japanese tradition of improving existing ideas, -in this case the now outdated 1960's JBL LE-8,) to be a musical flop. In conversation with a well known speaker designer, also a friend of mine, I could not find the words to describe the sound, he offered, "dead?" "Yes, I said, that about sums it up." I really wanted to like it, but alas, did not. I offered these expensive drivers for sale on these august circles in order to recoup some of the near $800 expense, a reasonable action in my view, and, while I think of it, some time later had it pointed out to me that JLM had referred to me as a "wheeler dealer type," a "horsetrader," on the Brines Forum. Horsetrader? Hardly a compliment, hardly realistic, hardly deserved, and hardly referencial to the fact that I was spending alot of hard earned money testing many many wideband drivers, and gladly sharing these results which apparently benefitted many, many people who otherwise would not have had access to this level of comparative information, judging by the sheer amount of email correspondence I received in the form of questions seeking advice, this being a matter of record, and for the further record, there have been ALOT of queries. I should add I was only too happy to take the time to help these people, with anything I happened to have learned from first hand experience, and the committment of time and treasure. So, you see Gymane, sometimes there is more to things than meets the eye. The important thing here is that YOU enjoy your speakers. This makes me genuinely happy, because you are one of the good ones. As far as auditioning and testing speaker drivers, it is my ears that decide. Theirs are the only opinions I care about.
what is the minimum efficiency that speakers need to have in order for the Sig 30 to sound ideal. Also, what should the impedance curve of the speakers look like. What load is the Sig 30 comfortable driving?
FWIW I own the Sig 30 Hornshoppe combo and it is match made in heaven provided you supply some low end reinforcement, especially if you like the horns out in the room like I do. The 30 does flush out the bottom end like no other amp I've tried. If you like picking up bass lines be forwarned. You may stop listening to vocals and guitar riffs as every bass note comes through so cleanly its hard not to pay attention. This combo is especially good for nearfield listening and low to medium volumes in a small to medium size room.
Vinnie,I see the input impedence of the sig 30 of the is 20k, what is the input sensitivity of it?Thanks
Hi everyone,First time post as I am very seriously looking at buying the Sig 30. I wanted to resuscitate this thread as I'm interested to hear more about speakers people have tried with the Sig 30.I've got an L-shaped room 15 by 24' in the lower part of the L, which is the listening area. Due to furniture etc. I have to place the speakers along the 'toe' of the L, against the 15' wall and can't place them in the corners - most likely they'll be backed up against that 15' wall with about 3' to either side of them. My current speakers are Acoustic Reality AVinci Ones http://www.acoustic-reality.com/us_avincione.htm which are not v. efficient (8 ohm, 84.5 dB sensitivity). I'll give them a try but have the feeling I'll be interested to try something else down the road when finances are replenished.I've seen all the posts here about the Druids and Omegas....interested to hear more comments on other speakers people may have tried. My speaker placement constraints are a consideration and my wife would far prefer something that does not visually dominate the room.I also wanted to ask if anyone has tried the Sig 30 with the Duevel Planets? I saw a post on Sonic Flare suggesting this could be a great pairing but nothing else since and no reviews on that speaker I can find. It's an omni-directional upward firing design with very cool looking chrome balls suspended above the drivers. Rated at 4 ohms and sensitivity of 85 dB http://www.cd-konzert.com/Produkte/EPlanets.html. Wife approval factor could be up there but I'd have to hear more about these as well as learn about their placement possibilities. Also concerned that it may not go as low in the bass regions as I'd like and not sure if the omni-directional design would give a sound I'd like. What may work about it is that this is really our living/dining room area with the dining room and kitchen area at the top end of the L.....often we are moving all over the place in this area and have guests over in the living room where they may appreciate a more immersive kind of sound field rather than a focused soundstage. Sorry for the length of this but really hoping to get some more ideas about potential speakers that can work in this room and cover roaming kind of casual listening as well as serious listening sessions.Best,Dave M
...currently on old Peter Gabriel, just before was Stereophonics, and before that was Eva Cassidy, and before that was Miles Davis, and before that was Death Cab for Cutie, and before that was Diana Krall....sorry, no Skynyrd recently but I is/was a serious Skynyrd fan. So basically I like lots of stuff - although I don't really think of any of these artists being mainstream pop performers and find they all have something musically redeeming about them....
Alwayswantmore.....thanks for the kind offer - is everyone in Alabama so nice?
Hi Dave,If the speakers are going to be placed very close to the wall behind them, I'd stay away from rear-ported designed. Based on Macrojack's experience with the Druids, these are an option. Zu does custom painting so that may add to the WAF if you let her have input on the color you go with Another option is the Omega Revolution that ZLS has. These have no trouble being placed close to the wall, as they are sealed. Louis can make these in different finishes, and can make the base match the speakers. He will also be using the upcoming 8" Hemp driver (high Qts version) once it is released. I also have a customer using the Sig 30 with Vienna Acoustic Schonberg Series speakers and is very pleased with the results: http://www.sumikoaudio.net/va/idx_shbg.htmThese were designed for being close to the wall, or attached to the wall.Not sure if they'll fit your decor or not Hope these ideas help,Vinnie