I really like the Audio Critic...just subscribed a few weeks back. totally old school & straightforward.
did a simple experiment not long ago pitting cryo'd wattgate 5266i plugs against
slightly more expensive furutech fi-11 plugs. I make lots of CD's from LP's, so I used
the test cords to power my standalone HHB 850 burner. The cheaper plugs let
hash & grain enter the signal - its apparent & audible.
the best part is I can take the test cd's with me anywhere, in any system & let anyone listen. its a repeatable way to test stereo tweaks...
Now, had I only listened to the cords for the test, i dunno if i could hear much of a difference.
these cd's don't lie though, and it may be since i used a digital component that some feature of the furu plugs is more complimentary, again - dunno.
I've read that better plug designs address EFi & RFI intereference. Also, I weighed the plugs with my digi scale, the furu's are much heavier - this may have something to do with the audbilbe differences i hear. makes logical sense IF they deal with microphonics & vibrations. the shell of the wattgate's ring really high pitched when you flick them with a fingernail.
I'm completely against expensive cords, so i assemble my own. I can say with a lot of confidence that in some applications though, better plugs make a fundamental & welcome difference.
all tests were used with the same cabling, DH Labs Power Plus AC in bulk.
If you ain't a believer but still want a quality cord - any of the good bulk cables cost $6 a foot or so and
the furu plugs cost $75 together. In other words, for $125 or less you'll have capabilities close to the $1000 ones. Want the best made? Spend $100 more and get hi-end plugs.
Now, what I haven't tested is whether or not the differences are evident when using a 40 cent wall outlet

I doubt Aczel was using Oyaide!!!!
If petey was using stock outlets, then garbage in=garbage out & his findings are not complete.
