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I'm non-commercial (nonprofit) in the speaker world so I have no axes to grind to support the sales of DEQX or any other gadget for speakers. I'm involved in the design of speakers for my own satisfaction and the ability to use some of my technical skills. I don't need the worry about running my own company or from where my next buck comes. Having said that, in my mind the DEQX technology is the cutting edge of what direction the industry will likely follow in the next decade. DEQX or equivalent technology promises to eliminate the speaker as the major source of distortion and imperfections in the music reproduction process. Using a DEQX system isn't for the non-techno inclined person though. You need to have a some understanding of how to make measurements and what the data means once you have it. The procedure is straightforward and the software is maturing in its user interface but you do have to work through the details. It is not surprising that some people who might like to have the benefits of the DEQX system yet can not deal with the calibration process. I suggest that if you are interested in DEQX (or its results) that you find someone who can demo their unit to show you what it can do and how it sounds.
However, if a significant portion of the music library is on vinyl or hi-res digital (as most of these players only output analog) you probably will not be happy with the additional A>D and D>A conversion steps. The DAC sections of the TacT and DEQX are certainly respectable but they will not hold up to the better outboard units or CD players which have better power supplies and beefier output stages. I'm not familiar with the ADC of the TacT and DEQX but I would be surprised if they didn't rob the music of some of the analog "magic".
I purchased a Sim Eclipse LE
I think the Sim players have digital ins & outs on BNC. If you wanted to try DSP, you could insert a TacT 2.0S or 2.2X between the transport and DAC sections using BNC S/PDIF cables. The 2.0S would only give you room correction, fixing bass and imaging problems. The 2.2X would also let you play with digital crossovers by adding separate subwoofers. For instance you could set a 40hz high pass on your mains and 40hz low pass on the subs, then time align their outputs. The bass on most full range woofer systems improves if you filter out the bottom octave, which is better reproduced by a dedicated sub. Just wanted to let you know you don't have to bypass the great features of your player to use DSP.
Anyone try one of these? I know this unit doesn't replace crossovers, but it's a cheap ($380) and well received room correction device. http://www.enjoythemusic.com/magazine/equipment/0705/behringerultracurve2496.htm
Now that I have my DEQX up and running I'm kicking myself for not buying one a long time ago And yes Mr. Ashman, it works very well with line arrays. Come to Denver later this month and you'll hear it for yourself
Rick: How does the DEQX compare against your passive crossovers? Pros & Cons?
Told you so I'm sure you'll find it a great crossover design tool at the least. You may also find the steep slopes allow you to widen the frequency range of the tweeter safely. Whether the tweaked DEQX system can surpass a great passive crossover remains to be seen. Along with many others here, I am definitely curious to see where you and other designers go with this technology.
Hmmm, dipoles and arrays are both ideal for a DEQX. I guess that's a good sign as this is what I am building.