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Phil,Very informative and enlightening article. Thanks for providing a positive and constructive post to this thread.Why not keep ALL the audio equipment in high regard. It's hard enough keeping the luv for high fidelity music as something relevant, something worthwhile. Whether one listens to ipods or hi-fi, is this not just appreciation for the enjoyment of "listening to music"? Yeah sometimes I feel it sounds like two children fighting over who has the best toy.. kinda childish. I would rather read posts sharing info like yours here or even who makes a great dac or tt, even the suggestions from owners of low budget models. That can be great info.
Both formats have their merits period. Which is better in direct absolute comparison ? Neither so there.
3K LPs! This is a lot of space and weight.You should live in a huge mansion or a large wharehouse.I would not want to live on the floor under your apartment.
Any records that are taken care of and cleaned with a wet vacuum cleaner such as a VPI 16.5 are void of surface noise. That whole knock on vinyl is so overblown.
Makes me wonder how people are handling their media with all the people talking about surface noise and pops when listening to vinyl. Buying vinyl from a garage sale or Goodwill normally requires cleaning. Leaving the record out of the sleeve collecting dust and other contaminants will also cause this. I don't have anything to clean my vinyl yet so I only run a brush over it before play and rarely hear anything but music. I guess if you can't handle media properly, digital is best for you. Wash your hands and try not to handle where the grooves are. What I call not so common sense.
A greater question is how much does one have to spend on these things to attain that supposed superiority? A cheap arm, cartridge and pre ain't going to cut it. It takes bucks, big bucks.
JD's original article on 6moons (http://www.6moons.com/audioreviews2/vu/1.html) had an attention grabbing moniker - which this discussion has pursued, at the expense of his core observations re the superiority of digital at a low cost point. It was about where the cost-SQ curves of digital & vinyl met & diverged, with an eye on the burgeoning popularity of vinyl with younger buyers.
The conventional wisdom so often funneled via the mainstream press says that few things sound better than vinyl. This is half truth at best. Getting an analogue front end that’ll provide superior sound to a decent digital streamer and DAC takes thousands of dollars and remains well beyond the financial reach of most millennials and thirty-somethings........................
The issue of 'millennials' buying LPs for reasons other than format preference is real. It's likely responsible for the inflated prices right now as well.
I don't think the bolded portion is true at all. In fact, I don't think buying vinyl for reasons other than format preference has any influence on the price. I also don't think the price of new LPs is inflated. I think the price correctly reflects the cost of mastering for vinyl, cutting the lacquers, plating and pressing a limited number of copies. With respect to reissues, consider the care and detail Chad goes through when he does a reissue--180 or 200 g virgin vinyl, remastering and the cost of obtaining the original master tapes all figures into the costs. Add amortization of the cost to purchase, rebuild and maintain the presses plus a profit. A $3.98 album in 1968, adjusted for inflation, would be $27.56 today.