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What do you call the stereo presentation? It could be argued that the instruments and voiceon a stereo recording is a representation of where the instruments are in a live performance.
With mono how would you have a center image without sound from two channels?
+1 on dale's previous post "Everybody's out of step but Johnny"
Now as to stereo being artificial, just set a few stereo tracks to mono if your system allows that, and observe how some instruments and voices can virtually disappear due to phase cancellation. You may need to test a variety of music. The principle is clear I think - whatever the mics capture, you don't want your system to lose. If the mastering engineers 'disappear' something, fine, but you don't want your system to lose information unless you do it on purpose.
That's like saying nothing is lost watching a color program on a black and white TV set. I can tell you that when I listen to stereo source material in mono, something is lost- the stereo information or image or soundstage or whatever the f*** you want to call it. Out of phase information that in part forms the stereo image/soundstage cancels out when the channels are combined. You may not care about it, you may even prefer the mono- to each his own- but something is lost.
That's like saying nothing is lost watching a color program on a black and white TV set. I can tell you that when I listen to stereo source material in mono, something is lost- the stereo information or image or soundstage or whatever the f*** you want to call it. Out of phase information that in part forms the stereo image/soundstage cancels out when the channels are combined. You may not care about it, you may even prefer the mono- to each his own- but something is lost. I am interested in the topic at hand, which as I understand it, is how we hear/experience the phenomenon of "sound staging" or "imaging" with stereo headphones (a useful point of reference being the same phenomena through speakers.) "Staging" by definition implies more than one channel; that's what drove the development of stereo. Mono through headphones sounds like it is coming from a point, not a "stage". No prob if that is what you like; but 99.97% of people are going to want to listen to stereo material in stereo, so the topic of mono seems like it may be a tangent at best.
Hi db Cooperand all Audio Circle members.db keep posting, what you post makes lots of sense.Can't say the same for some Audio Circle members. Guy 13
Hi db Cooper and all Audio Circle members.db keep posting, what you post makes lots of sense.Can't say the same for some Audio Circle members. Guy 13
You're misinforming here - it's true that you can use a mixing program to tweak the mix so nothing is lost, but if you use an amp that has a stereo/mono switch and flip to mono, lots will be lost due to phase cancelation.
Guy13,You are correct.