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I recently purchased the HoytBedford type 1's. A single 8 inch driver in a beautiful wood enclosure, 48 to 18,000 freq.response, & 97 db rating. I've had many speakers in the past decades (I'm 50 yrs young) and they all had multiple drivers. The sound that radiates from a pair of qualitly single source speakers is amazing- the soundstage & depth is unmatched. Jazz & opera are life like in my living room.
yup, for a lot of us, a good wideband system matched to our rooms / listening habits does so many things so well that its inevitable deficiencies can easily be overlooked
There's no such thing as the perfect speaker.Pick your medicine (and which laws of physics you're trying to ignore).
I was blown away by the sound of Tannoy Definition DC8T. So natural and realistic, easy with very low coloration.
I had bought a pair of those, hopefully to satisfy craving for a Tannoy. They didn't last long. One of these days a set of old 10s will come across my lab... fingers crossed
Cool... What didn't you like about the 8? The Tannoy importer told me that the 8 sounds a little cleaner than the 10, but I've never heard the 10.
Dave, I think I just saw a Tannoy 10 incher on Agon.
Flat sounding, listless, not very good DDR.dave
Let me quote from page 419 of Floyd Toole's "Sound Reproduction: The Acoustics and Psychoacoutics of Loudspeakers and Rooms":"Many investigators over many years have attempted to determine whether phase shift mattered to sound quality. In every case, it has been shown that, if it is audible, it is a subtle effect, most easily heard through headphones or in an anechoic chamber, using carefully chosen or contrived signals... When it has been audible as a difference, when it is switched in and out, it is not clear that listeners had a preference."The ear does not hear waveforms as such; rather, it deconstructs the incoming sound into energy at different frequencies. So waveform fidelity is not nearly as important as eyeballing what happens to a square wave would lead one to believe.On the other hand frequency response (not only of the first-arrival sound but also of the reflections) is a very reliable predictor of perceived sound quality.