Thanks for the comps boys. Ed, I've been trying to post you for a time so wondered if my mail has been hijacked. I owe you lots of credit for assistance with the servo amps. As it is, the rear floor was cut out to drop these thru 3 layers of 3/4 ply. The 3rd layer was afforded by the room not used by feet. They are open at the bottom so good air circulation. There's about a 1" lip of hardwood they fit into, just enough to keep the amps off the floor and punch the plugs thru, with the spikes attached. I fastened a second hardwood lip below to protect the amp in the case of spike failure. BTW, at 162 lbs, I think a more robust spike set is in order, ones that might have a beefier bolt and mating surface. I have not found such yet. As for the amps themselves, depending on the recording, I find a wide disparity in bass levels, requiring periodic volume level changes. This is the one area a remote would be appropriate.
For those interested, the added side surface area to enclose the woofer cabinets, really added weight with mdf. I was fortunate to find American based "Apple ply", a knockoff of baltic. I was even more fortunate to find the rift sawn white oak veneer, a favorite of mine. Two layers of these 7/8" ply saved me about 10% weight, very significant when moving these about. The 5/16" birdseye veneered front baffle faces was also a rare find. You guys in the midwest can find this stuff at Frank's Hardwood in Union City, OH. They are BIG time. A word of caution on some veneers as these. Keep your tooling sharp. The rift and quarter sawn veneer cuts open the grain, so edges become delicate. I used West System epoxy for all mating surfaces. NOTHING is going to move. The painted rear edges and coax backs are a kahki colored resto paint, I believe the same as you used Ed ? I applied an epoxy surfacing to the plys before hand.
I am so pleased with the way these babies produce sound. Detailed, accurate, and fast. The low SPL dynamics is especially dramatic. Aside from the unbeatable bass, the waveguide affect of the coax, really keeps things (distortion) in check. REMARKABLE ! Voice and acoustics are SCARY good.
I must admit, building these was the easy part. As Danny suggests, "those walls are bare". Room treatment is the scary stuff. I need all the help I can get. Dave Elledge has moved slow on his Vs so I can't benefit from what room treatments he finds necessary. Dave,, you out there ?