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It has precious little to do with advertising, as much as you'd all like to believe otherwise. It usually depends on the manufacturer making the product available for review. If they don't send you the stuff, it can't get reviewed.
I've had a handful of letters-to-the-editor published over the past 25 years dressing down various staff members. None take criticism, constructive or otherwise, well. I have zero respect for any of the S'phile writers. Heck I essentially have zero respect for just about all audio journalists. And don't even get me stared on Absolute Sound and Jon Valin. With all due respect JackD, I can't help but think that had Albert invested 10s of thousands of dollars in advertising and provided review models on "loan", VSA would have made the vaunted recommended lists. So here's my new years resolution...I will not re-up my subscriptions to the audio rags....that and I will limit my caloric intake to 5000 cal/day
There is plenty of evidence to the contrary
Big difference between speakers and wire.... Every wire company will send wire. It takes a lot more money and effort for a speaker company to have review samples available.
Quite a few reviewers are friends of mine in another forum. To be fair to them, there are really too many products out there and not enough editorial space allotted them. JA and Stereophile as well as Chris Martens at UAV have criteria that include a minimum number of US dealers and company history. The rationale is that reviews are pointless if the reader can't get the product readily anyway and that they would blame themselves if suddenly the company that made them folded. I say, fair enough. Their mag, their call.It seems I'm not the only one that noticed the S'phile snub. Jab noticed it too. Just look at the KR mention in the S'phile blog. How the heck did they hear those traits if not through the speaker? To add insult to injury, every other blog entry show the associated components at the title.Here it starts with THE MIGHTY KRONZILLA then assigning the wrong model number and something about handwriting becoming illegible. WOW!http://www.stereophile.com/content/mighty-kronzillaI'm no conspiracy theorists but this is enough to make me one! As I said though. It doesn't matter. I don't read Stereophile anymore. I got sick of reading nothing but Triangle and MF from ST month after month and JA using page after page chronicling his foray into recording while limiting page space for the other reviewers. I read MIX and EM for recording not Stereophile. As I said when RH and Jonathan Scull left there was no more fun in it for me. I prefer the online mags now and being half way around the globe I'd rather subscribe to TAS' GEC than get my copy two months late.