0 Members and 1 Guest are viewing this topic. Read 23505 times.
Thanks Coke, I'm gathering information on how small a room is too small for the HT2-TL's. My room is 11.5' x 15' but an open doorway between the speakers goes into the kitchen and the rest of the house so I think I'll be OK. The Audioholics review said the speakers sounded great in a 12' x 14' room.Wayne
.....Here is the rub with the Cardas IMO. Dennis has explained that you need to be far enough away from the speakers so that the sound coming from all of the drivers can integrate. The minimum I remember was 2.5 meters or about 100” which was discussed here:http://www.audiocircle.com/index.php?topic=69480.msg645527#msg645527
...As for distance, it shouldn't make too much difference for MTM designs, assuming you are listening on the tweeter axis. (And if you're not--do something, because that's the only correct listening position.) For 3-ways, my design distance is 3.5 meters (tweeter axis), although anything from 2.5 meters to infinity will not make a drastic difference. If you get closer than that, driver integration will suffer....
........ Think part of my issue is that my listening space is also a family room so pulling speakers out further from the wall is difficult.
Good post Saturn; I'm happy things are coming together for you. The room can effect the sound more than the speakers, so it is critical to take it out of the equation the best we can.
Kinger, I have found that the width and toe-in of the speakers is more critical than the distance from the wall behind them. YMMV, of course. The ST's are very placement friendly, so don't hesitate to think outside the box and perhaps do something that would be considered unconventional. This is what I did, and now I have the best sound I ever have.
Yep, more experimenting is required. I think I kinda shoot myself in the foot more often than not by trying to get great sound both when the room is WAF friendly and then when the significant other is gone and I have more control over the LP and room treatments. To further complicate matters, my new Rythmik F12 should be here tomorrow.
Actually, using a sub allowed me to focus on setting my HT2-TLs up for best soundstage/imaging without also having to account for bass performance. IMO, using a sub gives you the best of both.
I may have to do this entire thread all over again for the SoundScapes? The rear wave adds another variable to an already difficult equation.Nuance, I forgot to ask Jim about an active crossover.
^ This. As I am sure you've all seen me say before, usually the best place in the room for bass response isn't the best for soundstage and imaging capabilities. That's why a true 2-channel system is difficult to implement IMO, at least in the rooms I've tried. YMMV, of course. I'll never go without at least 2.1 again, though, or at least something like an active pair of SoundScapes (allows you to apply PEQ to the bass woofers).
Interesting thread. I am running Jim's HT2-TLs with the RAAL ribbon in my showroom (I am not a "dealer"). The listening part of the room is 17' x 30' x 10' but overall, the entire room is just over 1300 sq. feet. I too prefer to run in an arrangement similar to Usher's "5ths". I have them about 5 feet from the front wall and about 4 feet from side walls putting them about 9 feet apart. My prefered listening position is somewhere in the 10-15 foot mark. The speakers do have to be tweaked when changing listening distance but always provide the best overall soundstage/imaging with minimal toe-in. About 5 degrees. I feed them plenty of clean power and they easily fill this large room while providing a spacious soundstage. Moving them to the long wall provide a completely different setup and have found having the speakers further apart as compared to the listening distance provided better results than using the same "5ths" method above. Just goes to show that every room and arrangement will require experimentation. You can make a very elite system sound like crap by simply not playing with the placement of the speakers. Just because one speaker works in a particular arrangement does not mean the next speaker will provide the same result.