Congrats to Jim, Dennis, Paul, Mary, and the Salk team
Thanks to Tom Andry for the very nice review. I agree with a lot of Tom Andry's impressions about the HT2 TL's but...
Listing weight as a con? Funky non-spikes is another listed con but then Tom mentions in his review
"at around ~87lbs a piece, they probably don't need carpet spikes".
He also lists
"pricy" in the cons but in his review he states:
"In the direct comparison, on every metric I could think of, the HT2-TLs were superior to the Songs. Bass, midrange, highs… everything. My jaw literally hit the ground. I A/B'ed the speakers over and over thinking that there must be something wrong with the wires or configuration. Sure, the Veracity's cost a bit more than 2x's the SongTowers, but to my ear, the differences were dramatic. Very dramatic. Are they worth the money…? Well, to my ear, yes."I seems to me that Tom Andry really likes the Salk HT2 TL's and doesn't want to come across as a fan boy, hence the odd (to me at least) nit picks.
To me, the sound stage width (SSW) issue is the most intriguing part of Tom's review since I struggled with that "problem" with the HT2 TL's for awhile. I have plenty of SSW now, but placement, acoustic treatments, amount of toe in (or none), electronics, and most importantly the recordings seem to effect the speakers SSW more than other speakers I have tried. At one point while tweaking room acoustic treatments I absolutely killed the SSW when I placed acoustic panels directly behind the HT2's on the front wall - but didn't realize it at the time. When I moved the panels off the front wall my SSW widened to an amazing degree. Now I find that the SSW is pretty much dependent on the recording and can vary from narrow to very wide (David Gilmour's "On an Island" is like surround sound it is so wide). Seems to me that the HT2 TL's SSW is a great example of how accurate the HT2 TL's are to the recordings.