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... ok, you got me! On that note, maybe I should withdraw my question before I get run out of here.
Well, I sold enough old stuff in the AKFest swap room last weekend that I can now try out one of these amp kits. Looking at the SDS-224 but wondering what the extra $100 over the CDA-224 gets you besides balance inputs and adjustable gain. In other words, sound quality... is it better? I don't think I've seen much comparison in this regard on this thread (perhaps I missed it).From classdaudio:"Our Super D Series amps provide more life-like imaging and sound stage, along with the beautiful smooth tube-like sound we're known for. These amps are powerful, clean, quiet , and transparent"Additionally, do you have to use the balanced inputs to achieve that improvement? That may not be an option for me in the near future, so no sense spending an extra 100 if I don't have to.Thanks.
Is it critical these amps are used with a preamp/buffer or can my source (Ipod, Cd player) feed them directly? The Dodd DIY buffer is on my wish list of upgrades, but it will need to patiently wait.Pete
Is it critical these amps are used with a preamp/buffer or can my source (Ipod, Cd player) feed them directly? The Dodd DIY buffer is on my wish list of upgrades, but it will need to patiently wait.
Therefore I would recommend using your Yamaha AV receiver as a preamp (by connecting its Main L/R RCA preamp outputs to the Class D Audio amp), until you can afford a better preamp.Steve
To connect your sources directly, your CD player would need to have its own internal volume control and the iPod would have to control the volume through its headphone output jack. Your iPod will much sound better if you use its line out output available at the bottom dock connector, either with an iPod dock or an inexpensive dock to line out cable, than it will using the amplified headphone output. Therefore I would recommend using your Yamaha AV receiver as a preamp (by connecting its Main L/R RCA preamp outputs to the Class D Audio amp), until you can afford a better preamp. Steve
Thanks all for your answers. It looks like my plan going forward is to build the class D amp...my Yamaha receiver will be relegated to preamp status. I believe, as a preamp, this receiver could still facilitate its present job of 50/50 home theater and 2 channel listening. Then, when I build the Dodd buffer..?? I understand the Dodd buffer has no gain so possibly it could sit between the Yamaha and the class D. Pete
....or just get a Super D amp and have adjustable gain. I use a Dodd Buffer and have no issues with any of the Class D amps. I have all three IR, TI & Super D.
Hey Jason, do you have a favorite of the three? With or without the buffer?Best,Ed
In my opinion the IR and Super D are above the TI for full range speakers. I wouldn't hesitate to use the TI for a sub or for entertaining purposes. It's just a little harsh (top end) in my opinion.
In my opinion the IR and Super D are above the TI for full range speakers.
Jason, to your ears, is there a significant difference in the sound of the IR and Super D?I ask this question as someone who won't be using the balanced inputs. I know this has been asked before, but I wanted your take on it. Thanks!
In my system using the Super D there is no change from using XLR or RCA.
So does that mean that single ended inputs are equally as good as balanced, or that balanced inputs are no better than single ended?Just trying to understand, not being picky or difficult. Let's try these options.- too close to call, equally as good- the difference is noticeable but not by much- there's a significant difference- no brainer- other (your choice of words)I appreciate your opinion, and for sharing your experience.