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The B+ voltage is AC unless I am flunked tube amp electronics. Looking at the power supply circuit, the 360 v B+ AC voltage cuts right off the transformer's yellow/black lead and down the board
1.) Power trafo and rectifier on one chassis( I will use choke loaded LCLC, last C is the 47uF C103) the PCB on another chassis.
As for shielding an umbilical I would probably use double braided shield. This needs to drain to the Power supply IEX earth ground connection. I would probably float it at the phono stage........The main B+ power cord would be weaved with the earth ground line to cut down on emi.
Discussion one, is how can you remote the transformer for a Clarinet or Cornet 2. Just run the apppropriate leads from the transformer to the board in an umbilical. This would send 6v AC and 360v AC through the umbilical. I would shield or even double shield the wires to keep the 60 hz in and the rf out. The wires would simply plug into the circuit board exactly like they do now.
I realize now reading your posts again that you are going to run both the transformer AND the B+ rectifier remotely and I agree this is best way to do this since the chokes chokes come after the rectifier conversion. This would send 6v dc and 360 v dc through the umbilical and up to the case.
If my units were not dead silent right now, I would have remoted the P/S by now
Just wanted to add my two cents worth:I built my Cornet 2 as a split chassis design with the separate power supply and some of the reasons I chose to locate the rectifier tube, diodes and first filter caps within the power supply chassis had to do with the construction of the umbilical cord system. By rectifying the AC and filtering it in the power supply chassis, you only have to run 3 conductors with the umbilical to the main chassis. All you end up having is +6V, +360V and ground. This means you only need 3 pin connectors and a 3 conductor cable.
C'mon Tubes, anyone can build quiet, even me, but as Abe knows, to get eerie, you have to go 2 chassis.So put down that beer and turn off the football game!
At some point you have to ask yourself if the additional cost to modifying the Cornet is worth it, or if you should step up and look for a "better" phono stage, like the Trumpet. Of course if you're into projects and building stuff yourself than this statement is worthless; it's the manual build that counts and that's more than half the fun.
BTW since the C2 and C3 are common grounded 3 wires is all you need, but I would bring up a fourth just to weave with the 3 power lines. I would bring up the IEC earth ground so it could ground both chassis and the turntable / tonearm wire ground from the main chassis. I would go with an independent line just to make sure there was a very clean earth ground pathway.Weaving the power cords on the umbilical is a good way to reduce noise.
Anyone who has looked for reasonably priced and readily available connectors for 3 or more wires that are around 16ga in size or larger, if you find them, let me know, 'cause I am already starting to think about a Clarinet project !!
Lockable 3-pole equipment (AC) connector with contacts for line, neutral and pre-mating safety ground. High current capacity, rated at 20A / 250V ac Fast and easy locking system Extremely robust and reliable Excellent cable retention UL, C-UL recognized components VDE and SEV approvedhttp://www.neutrik.com/fl/en/industry/210_1780630671/NAC3MPA_detail.aspx