All modded xovers are sold with a 30 day unconditional guarantee. You place your order, I send you the xover just as you want and then you get to A/B with your stock Behringer (or modified one, for that matter). If you decide to keep the modded unit, you send your stock one to me. I would probably not want someones elses modded unit, so we would work something out. This way, you are never without music and you get to hear for yourself if the mods are for you. Of course, you are responsible for all shipping costs.
Here is a list of mods I will be doing and the approximate costs (prices are not fixed....I will change them when they are for "real"):
1. Hardwiring the AES digital input directly to the digital input transformer on the main board, bypassing the relay, board traces and stock wiring. $40. Add $20 for coax or BNC
2. Installing a board that would have three digital outs allowing Panny and TACT users to use the Behringer as a digital pass through. Using this inexpensive mod and a couple of Panny 57 receivers ($500 for two) would get you pretty darn good sound for very little money. The Panny receivers have remote control, so this is all you would need plus a digital source. The Behringer would upsample its digital input to 24/96 and send it directly to the Pannies. $300.
3. Modify the analog input stage by removing ALL its parts are replacing it with a super simple pure input stage that is hardwired directly to the main board pins bypassing the stock jumper cable. This new A/D buffer is mounted on its own custom circuit board. Also the A to D chip is changed to the latest, best chip and Blackgate and Wima caps are used with it. $200.00
4. Change both DACs to the AKM 4397 32bit chip that is three generations better than the stock one. These DACs are mounted on custom made circuit boards. Blackgate caps here too. $200. Alex cannot have all the fun with these chips. He claims they are miles ahead of any other DAC in the world. We will be one of the first companies in the world to offer these DACs. We will be installing them in other machines like the Oppos and the Slim Devices SB2, SB3, Duet and Transporter. (Optionally, you can have both DACS changed to the 24 bit AKM 4396 DACs for $125).
There is one modder who has replaced the original AKM DAC with one generation better. Check out what he has to say about the DAC swap:
http://mysite.verizon.net/vze4c5pt/id14.htmlThe 32 bit DAC is two generations better! Now check out Alex Peychev's "digital" forum and read the threads about his use of the 32 bit DAC.....especially the threads: 3.0-GO customer feedback and the 32 bit player, born Fri......
Especially notice what the people are saying about the difference between his old 2.5 player (last generation AKM DAC) and the new 3.0 (only difference that I know of is the use of the new 32 bit DAC chip). Someone who had his 2.5 modded to 3.0 status told me that it was like going from bad digital to analog!
http://www.aplhifi.com/phpBB5. Modify the analog output stages by completely removing ALL the parts (35 parts in each channel!?!) and replacing it with either:
A. A completely simple pure passive stage consisting of a nude damped Blackgate cap bypassed by a Wima poly cap per phase and one Dale RN55 series resistor (we will need to experiment with this to see how much cable it can drive and if there is any problem having only one volt output per phase).....probably will be fine since the speakers (CS2's) are so efficient. These caps/resistors would be hardwired directly from the 32bit DAC board to the pins on the output connectors. $50 unbalanced and $100 balanced. Upgrade to latest nude Vishay resistor on output would be $75 for unbalanced and $150 for balanced.
B. Replacing it with our own single op amp based output stage directly coupled to the output jacks. $150 unbalanced and $250 balanced. These active output stages are on the DAC board so the signal path is super short.
C. Replacing it with our own discrete fet output stage? May need to fit into separate chassis. $500????
6. Muting options.
No muting: Minor turn on and turn off surge. Free
Stock transistor: however, slight loss of transparency. Free
Using relay and timers: No loss of transparency. Unbalanced $50, balanced $100.
7. Installing a shunt attenuator on the back of the Behringer that will allow precise and pure volume control. This 4 pole 24 position switch would be hand wired with 92 resistors. They would be shunted between the phases on the output of the DAC before the output buffer (whether op amp or discrete based). This will give the absolute best sound but will require you to go to the xover and turn the knob. $350? You have to have one of the active output stage mods for this mod.
8. Installing the Didden input/output stage that has remote control volume. This will give the best sound for those that "must" have remote control volume. Not as pure sounding as above but will be modified by EVS for more pure sound than stock. $800?
9. Superclock 4 replacing the clock in the Sample Rate Converter/Input Receiver. This clock essentially "runs" the Behringer at 24/96 so is real important. $350. This upgrade can be added anytime.
10. Option for unbalanced input/output jacks. $20 per jack ($40 per pair) for OFC Soundconnections and TBD for other jacks including Nexgen WBTs. This will allow you to use your regular interconnects and not have to have adapters or re terminate your cable. Mixing unbalanced and balanced can be done.....another words, you could have unbalanced ins and balanced outs.....or the other way around....or one amp balanced and the other unbalanced. However, all inputs or outputs have to be one way or the other (not both). I can also do any kind of digitial input jack including BNC.
11. Modify the Switching supply for better sound and or replace entirely with linear supply. TBD.
12. Run the clock off batteries and possibly the whole thing off batteries. TBD.
Here are some possible combos/options of the above:
1. Person using digital input only and is using Panny receivers.
$300 for digital outs
$40 for digital in option
$350 for Superclock option
2. Person using digital input only and wants volume control (unbalanced).
$40 for digital in ($20 more for coax or bnc)
$200 for DAC upgrade
$150 for output stage mod.
$350? for attenuator
$350 for Superclock
$80 for OFC Soundconnections jacks
3. Person using analog input and volume control (unbalanced)
$200 for analog input mod
$200 for DAC upgrade
$150 for output stage upgrade
$350? for Attenuator
$350 for Superclock
$120 for coax jacks
4. Person using analog input and no volume control (unbalanced, using existing preamp in front of Behringer)
$200 for analog input mod
$200 for DAC upgrade
$150 for output stage upgrade or $50 if passive stage will work
$350 for Superclock
balanced analog output add $100
digital input mod add $40 if using both analog and digital in.
$120 for coax jacks on in and out
5. Person using digital in and wants remote volume
$40 for digital in
$800? for modified Didden board
$200 for upgraded DACs
$350 for Superclock 4
There are lots of possibilities but it is not complicated.
There are many people now offering mods on the Behringer, but I feel there is nothing quite like what I am offering. There are 35 parts (just recounted) in the output stage.....replacing a few parts with better ones is not going to give you much benefit.....you need to completely remove it and replace it with a purer stage....same with the input stage. You really must change the ADC and DACs for best sound. Hardwiring all inputs and output is a must too. I have been modifying gear since the late 70s and hold to one philosophy.....make it as pure and transparent as possible and give the best value. The Behringer has amazing potential, but at $339 list it cannot have simple pure great circuits or parts. The Emerald Physics CS2 speakers (or any other speakers) using our modified Behringer will bring you sound that will amaze you. Looking forward to serving you.