Okay I have been having some fun with this one.
My test speakers for today were the Alpha LS's. They're powered by Dodd Audio gear. It's a very revealing and breath taking system to say the least. It also shows off upstream changes very well. The speakers will play down low too and reveal shortcomings in the bottom end easily as well.
Chris Own sent me one of his dAck units. I will be comparing it with my Rega Planet and my Bolder modified Art DI/O.
I met Chris a few years ago. He's from the same home town that I am from, Wichita Falls, TX. He's not only real likeable but a pretty sharp young man too.
http://csown.dhs.org/school.html He came to visit earlier this year and brought by one of these D/A's he was working one. It was an early version of the dAck and I wasn't over enthused about it right away. It seemed to be a little shy in the bottom end and lacked the detail of the DI/O. I really didn't give it a fair listen either.
But this latest version has been through some improvements, according to Chris, and I was curious to give it a listen, so I had Chris send one out to me.
My Rega Planet CD player has had one mod that made a really nice difference. I got rid of the stock power cord, mounted an IEC connector in the back of the unit and added one of the MPC-12 power cords. It's a tricky built 12 gauge cryo treated cable that sounds really good. It clearly helped the sound of it a lot. This thing is a great transport too.
My DI/O has what Wayne said was kind of a half Mensa mod. It made a huge difference to that unit over the stock version. The stock version had such high output that it left little volume adjustment at all when using steeped attenuator type volume pots. It sounded no where near as good as it does now either. Wayne works wonders with it.
Wayne is supposed to be sending me his power supply with one of his Nitro cables soon and I plan to do a full review of the unit as soon as I can. He has done a great job modifying that unit and I have really liked it.
I was reluctant originally to compare Chris's dAck to my modded DI/O. The modded DI/O really is a giant killer and I just couldn't see Chris's dAck or any other inexpensive unit having anything over it. I like Chris and didn't want to have to tell him that his unit was okay but not up to Modded DI/O level.
I was also not to fond of the idea of recharging batteries and stuff. I am a plug and play guy. I don't want to have to stop and re-charge batteries before listening to something. I would just spend the money on a good power supply and cable and not fool with it.
Only 44kHz and 16 bit decoded didn't sound to impressive either.
When I received the dAck I plugged it in and let it play. I left the room and didn't give it much of a listen. I knew it needed burn in time. After it had played for about four hours I unplugged and hooked it to the charger. To my surprise it charged rather quickly. The charge light goes from red to green when it is ready to play.
So I plug it back in and let it play for 5 or 6 hours before throwing it back on the charger.
Today, Saturday, I decided to give it a listen despite it needing more burn in time.
I started with some Norah Jones.
One of the fun parts for me is sitting down to listen with an open mind or an open ear not knowing what to expect or what to listen for when suddenly differences in unexpected areas begin to surface.
My first thought was that it sounded different. Vocals were full and lush like it had a tube output or something but it seemed to be giving up something in the highs that I was used to hearing and I still questioned in the back of my mind if the bottom end might be a little soft still.
I swapped the DI/O back in and what seamed like a lot of detail level returned, or did it? It appeared as if I could now hear the background noise in the recording much more clearly, and the brush stokes on the drums were more apparent. The DI/O had a little bit more brightness about it.
I switched them back and put the dAck back in.
I listened some more and quickly realized that it wasn't the noise level in the recording that the DI/O was revealing. It was just noise. The noise floor with the dAck was simply gone. The clarity in the highs were still there, there was just no noise and it lacked a little brightness.
I tried the DI/O again. The noise floor returned. I didn't realize how much noise was there until it was gone.
I tried the Rega too. It sounds soft and a little tube like and lacks a little detail that the DI/O has but the noise floor was there also. It sounded a lot like the DI/O in that regard.
I tried some Holly Cole. I then realized the bass response in the dAck was not too soft at all. It was well controlled and extended. It matched the DI/O in this regard. At times I thought the DI/O edged it in bottom end control then other times I thought not.
Vocals were exceptionally good with the dAck, airy, smooth, natural and attention getting. Space around instruments and emotional feelings were all much better with the dAck.
Some Lyle Lovett, Joshua Judges Ruth, was then selected. The dAck really started to shine. I got excited. The difference in the noise level was unbelievable and was a nice surprise. When switching back and forth from the DI/O to the dAck I found myself listening to the DI/O much less and the dAck much more.
Vocals in the DI/O sound a little thin and honky in comparison. They even seamed a little shouty at times while the dAck remained smooth and less congested.
The DI/O begin to sound too noisy to listen to. I kept wanting to turn it down. While the dAck was so smooth I just kept wanting to turn it up. I realized I could listen at a little louder levels with much less fatigue, and my system was not even fatiguing to begin with.
I then tried some Blue Man Group.
Again I was sucked in by the dAck. I would listen to part of a track on the DI/O and switch back to the dAck for a comparison just to find myself listening to the whole composition.
I started listening to track after track and cranking it up. It was as if I was hearing this stuff for the first time all over again.
Hard not to notice with every CD selected was the goose bump factor of the dAck. I noticed that I was just listening for differences when I had the DI/O in and when I put the dAck in I would just get sucked in. Several times with each CD I goose bumped up all over and was nearly moved to tears with a few Lyle Lovett tracks and with several from the Blue Man Group. I felt embarrassed to type that.

I didn't cry!
I am thinking now, who needs high dollar power supplies and expensive cables? If going to battery power means a super low noise floor I am now a battery powered dude all the way. There may also be much that can be said for a simple circuit design with little in the signal path.
I still think the dAck gives up a little high level detail to the DI/O especially in the very top octaves. I wonder if by-passing the few caps in the dAck with some .1uF Sonicaps will up the detail level just by a notch or two? I bet I'll know soon.
I didn't think I would, but I highly recommend giving the dAck a try. It may not do for everyone what it does here. All systems are different and system matching is important, but if you never try it you'll never know.
I am not a real review type of guy either. I seldom ever post any kind of review and seldom ever indorse other products, but when I find something that to me is not only good but presents a genuine value I can't help myself.
Offering a high level of bang for the buck is what I strive for myself and when I recognize that in other companies it really stands out to me.
Dodd Audio was one of the first companies to offer what I feel like is a huge bang for the buck.
Ack Industries is the second.
http://ack.dhs.org Highly recommended,

and I don't think he will get this one back.