0 Members and 1 Guest are viewing this topic. Read 9849 times.
They even get to monkey around with the retired Nikon, and take great delight in snapping off pics - OK, at their age (both are under 4) it is more about making the flash go off, but hey, it is cheap and fun!So, for me, it is way more convenient, since I am able to see the pics immediately after shooting, and HD space is cheap.
This actually reminds me of a time 14 years ago when I was an intern at Apple Computer. They used a program called "Meeting Maker" which allowed you to set up meetings with other people (long before MS Outlook), integrating with peoples' desktop calendars etc. I thought it was so cool...until my boss said "ever since we got this thing, we've been setting up a lot more unnecessary meeting..."
"Archival CDs" -- Are these marked as such? Any recommendations on brand?"11x14 printers under $300" -- Which printer is that? Do the prints fade (like my Canon)?"Lightroom or Aperture" -- C'mon, I already shelled out for CS2... where does it end?"negatives curled and dry" -- yikes... hm I will go find those boxes and have a look."trash all but your best images" -- maybe that's it. Keep the ones worth printing backed up, and if you lose the rest, oh well.
Is digital photography REALLY more convenient?Just think of what it's done for the gallery at AC.Nuff said. Cheers
5.) EDITINGOnly show your very strongest images.Throw away most of what you shoot. I do. Most of my photos are awful!Go through the few photos you save out of a roll, and then throw away all but the one strongest image.Next time, go through the few you've saved from a few rolls, and throw more away.This isn't painting. In photography it is a requirement to throw away most of what you do.You'll see that if you only save or show your strongest images that your body of work will seem to improve. Guess what: as you show only the better images, your body of work as seen by others has improved!Do you think I shoot a roll of film and get a roll loaded with the images you see in my galleries? Of course not. Most of what I shoot is crap. I'm just good enough to throw most of it away and only show the good stuff.Ansel Adams said that if you can produce one strong image in a year that you are doing very well. Don't expect to turn out miracles every roll, or even every month. Ansel didn't, I don't, and I don't think anyone does.
“…"trash all but your best images" I saved myself a lot of storage dough by by buckling down and sorting through all the crap on my drive and tossing stuff that wasn't that great.
With digital, you can shoot tons of pics, from many different angles, and futz with different settings on the camera, and achieve more usable pics. And of course, crop and edit yourself.
..............But there's still something special about film (just like tubes). Digital can be cold, but it doesn't have to be and is certainly far better than it was even 2 years ago.Enjoy,Bob
Yeah and maybe actually learn to USE all the settings on the camera without taking 20 years and $20k in film and processing.
I'm half-considering getting a 4x5 view camera. Anyone ever shot large format Polaroid sheet film on one of these? I figured this might give the near-instant feedback of digital while still offering the heretofore unknown to me capabilities of the view camera. (should've taken that class in college, dammit) The whole processing\final output question is a conundrum, though. The best images I've ever scanned\seen have unquestionably come from 4x5 or larger transparencies. The most impressive was from a magazine called "Collector Teapot" (and you thought audiophiles were nuts) this guy brought in 11x14" chromes which were just stunning.