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Barbed Wire Sandwich - Black Cat Bones
Heyday: BBC Radio Sessions 1968-69 - Fairport Convention samples
Paul,I have 2 copies on LP, and the cd, but it was my SACD copy that was the one that blew my audio socks off. I wonder who produced that hi-rez cd.Lyndon
Two more from Sunday's record + cd fair. I've never owned anything by these two artists until now. Tori Amos - Under The PinkFiona Apple - Tidal
If you like Under the Pink, try Little Earthquakes next. It's my favorite.Tidal is the best Fiona Apple album in my opinion. I have them all, that's pretty much the only one I play. It's an amazing disc. "The First Taste" leaves me weak in the knees - it's f-ing brilliant! I usually play it a couple of times in a row.The sound quality on both of those discs is pretty darn good.
At the peak of his powers, no trumpeter on the planet played longer, higher, and faster than Freddie Hubbard, and no one exuded as much confidence and swagger on the bandstand as he did on a nightly basis. The list of sessions that he played on during a golden period of jazz from 1960 to 1965 contains several classic recordings: Art Blakey & The Jazz Messenger's Free For All, Ornette Coleman's Free Jazz, Eric Dolphy's Out To Lunch, Oliver Nelson's Blues and the Abstract Truth, John Coltrane's Ascension, Herbie Hancock's Maiden Voyage and Empyrean Isles, Wayne Shorter's Speak No Evil, Max Roach's Drums Unlimited. Add to this prodigious output Hubbard's playing on a string of important Blue Note recordings by the likes of Hank Mobley, Lou Donaldson, Jackie McLean, Dexter Gordon, Tina Brooks, Duke Pearson, Sam Rivers, Bobby Hutcherson and Andrew Hill, along with his own impressive dates as a leader for Blue Note and Atlantic in the '60s and CTI in the '70s, and it's easy to see why Hubbard is regarded today as part of trumpet royalty...http://www.allaboutjazz.com/php/news.php?id=18781
Bassist/composer/producer Melvin Gibbs is best-known among jazz fans for his run with the Ronald Shannon Jackson Decoding Society and among rock fans as bassist for what most devotees consider the best version of The Henry Rollins Band. Now leading his own band, Gibbs explores "the Black Atlantic continuum" that runs from Harlem and NYC in North America through the American south, down through the Caribbean and into Brazil, on Ancients Speak. "It's the randomness of the explosive situation, how this original bunch of Africans ended up in the Americas," he explains. "I wanted to connect the different roots, reconnect the family."..http://www.allaboutjazz.com/php/article.php?id=33106