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I wish i were, but i can actually demonstrate it. This is a real issue and i seriously dont get it. Neither do my audio buddys here. It makes no sense since by switching both channels out of phase they are now back in phase only with switcedh channels. And to compensate i switch the outputs on the CDP. I dont get it either.
Madonna to the mix the cd-player distrots horribly.
Quote from: FlorianI wish i were, but i can actually demonstrate it. This is a real issue and i seriously dont get it. Neither do my audio buddys here. It makes no sense since by switching both channels out of phase they are now back in phase only with switcedh channels. And to compensate i switch the outputs on the CDP. I dont get it either.How does switching the phase on both speakers require switching the left and right channels at the source to compensate? That doesn't make sense.
I do have a second question tough.My Unison CD-Pplayer uses two tubes in the output stage. When playing classical music and some jazz the cd-player sounds wonderfull. But if i add Madonna to the mix the cd-player distrots horribly.-Flo
Could the Madonna disc's channels be out of phase? Some DACs let you swap phase.
That would make this thread extra hilarious if it was a Q-sound disc! Also, doesn't Florian have those ginormous panel speakers and aren't those types of speakers in general supposed to be extra-beamy, thus exaggerating the nifty Q-sound phase whatsits? Those discs are really a park-your-ass-in-the-chair and don't-ever-move kind of thing. I could see where the margin for subjective 'error' could be quite considerable in this situation.
Quote from: thayergCould the Madonna disc's channels be out of phase? Some DACs let you swap phase.If it is "The Immaculate Collection" it is recorded in Q-Sound, which will give you a 180 degree soundstage. This soundfeild is accomplished with specific "phase manipulation".