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"Better" perceived performance by who? There is no one who can make that judgment for anyone other than themselves. The point in maximizing performance is to produce a larger version of the input as truly as possible. That's the purpose of an amplifier and the goal of an amp designer. There is no accounting for taste, as has been said over and over. You don't like Purifi. Fine, don't buy it. Just because you don't like it means nothing in the market where many others do. It says nothing about the quality of the amp, it's only your opinion. That's called a free market. No, measurements can't tell us whether we will like an amp, they only can tell us if it does it's job and how well. You put it in a room with associated equipment and you listen to a system. Maybe you like how it performs as a whole, or you don't. Your experience isn't anyone else's experience and means nothing outside of your head in your room with your system. If you want to call any amplifier "good" or "bad" and have it mean anything, you need to focus on quantifiable, provable, factual data, not subjective opinion. How well does it meet the goal of a wire with gain? That is a starting point. If it does a poor job, what's the point in listening? I don't want to hear distortion, no matter how much I might like how it sounds. I want the original signal, for better or worse. There are those who simply can't handle the truth and want flowers and chocolate. Again, no accounting for taste.
goryu, your argument amounts to "amps with better measurements have better measurements". That's tautological. It also strands you in a closed system with no reference point outside of that tautology. Here's my point, yet again. If you optimize an amps measurement and people tell you it sounds worse, do you just dismiss and ignore that feedback as 'subjective' and thus not worth investigating? If so that would make for a poor design process.
No, that's not my argument.And what if other people tell you it sounds "better"? There is no truth in subjective judgments- the corollary is you can't please everyone. That's why there are amps of many types and colors in the marketplace- an amp for every seat, as it were...
And I want an amp that actually sounds good. I guess some people don't care about that. Like you said, no accounting for taste.
So how do you verify that it sounds better if you make a change to it? Again, measuring better does not actually mean it's closer to straight wire with gain. It just means it measures differently and that may (or may not) correlate to actual transparency.
First of all, the OP made a claim about GaN use in class d amps: they that moved class d forward. Since there is no way to measure subjective performance, and no way to prove opinions, the only meaning this statement can possess is in the objective realm. I disagreed. Instead of arguing the design and performance on a objective basis fitting the claim, several people have chosen to make fallacious subjective claims, failing to support the original claim.I reject the characterization that I don't believe there is merit to subjective listening, which is absurd on its face. Everyone listens, that's the point, isn't it? The difference is I don't believe my own subjective impressions are meaningful to anyone but myself and rather, take umbrage at those with the chutzpah to believe their own personal impressions are somehow factual and meaningful to others. There is no rational point in arguing subjective impressions- opinions are not facts and can not be debated. The fact that someone screams how great their product is means nothing in reality about the product. It's all so much noise. The only meaningful debate is on the facts, something I have produced on numerous occasions here.
I shouldn't do this but oh well.goryu: you make a point in what you are stating BUT,I for one respect and enjoy reading posts by Tyson and Freo1.Their comments are fairly much in tune with my thoughts and while I'll never be able to afford the equipment they haveI find it fun to read what they are thinking. Has very little to do with specs and charts and how to read them and all that other bullship(t)We are here as a community and thus are here for enjoyment. That in itself becomes personable. One does not become friends on threads if they come across as egotistical with facts and without personal experience with a piece of equipment yet posts as such. There is only so much time for listening to every piece of equipment out there and again while goryu wants his decision making only based on specs than that's his opinion and I respect that but don't tell everyone else to do the same and not discuss it. I thought that's what AC was all about.Don
Some people trust their ears and some people don't.
Just heard back from Peachtree. Here is the crux of their response:"We are continuing to receive feedback about that review and are preparing a written piece to address the questions people have and to hopefully clarify a few things. In short, measurements like SINAD are one thing and listening is another thing. Both have their place in audio but in some designs, better measurements can actually sound worse. We've experienced this with DACs and amps. Many times a trade-off. In any event, we expect to be answering many of your questions more as GaN continues to become prevalent in our industry and others. Once our document is complete, we will send it to you and probably post it on our website for others to see. "
It occurs to me that you are ignoring some facts yourself. GanFETs have better behavior than MOSFETS. There are measurements to prove that. You have not acknowledged that Peachtree may have revised the driver boards, we simply don't know. I hope to hear back from them. Cannot blindly assume the Peachtree and LSA are identical in every way. Specs say they are not. Feedback usage in amplifiers is still an ongoing debate among audio engineers. While there is consensus on the advantages of feedback in general, there is not consensus about what feedback does to sound. Using a ton of feedback to work around MOSFETS limitations is not needed to the same extent, since GanFETs are in fact superior in a number of key parameters. There is also an argument to be made that while measurements do capture a lot, they don't capture every possible variable with a given design. Speaker loads are not test bench measurements. Engineers don't just measure and release gear. They listen, make adjustments, go back and listen again, and repeat until they are happy.
Game, set, match.See, this is what REAL audio designers do - change something, measure, listen, repeat. I'm not sure what goryu's daytime job is, but I sure hope it's not "design audio equipment".
Really? What have they really said about the switching frequency, the output filter, the load dependence? Where are the specs? Nothing. Just more fluff. Your response shows bias and the willingness to believe what someone tells you as long as it agrees with your viewpoint. So much for critical thinking and objective analysis, not to mention wishful thinking.
I think this says it quite well:"I would say there’s almost a moral duty to try and keep personal tastes out of audio design. It is a matter of respect to artists not to “remaster” their work. Euphonic modifications are fair game on the production end when artists are in charge, but the reproduction end should not add further commentary to that. Commercially, too, it makes sense. Unless, for some strange reason, everyone has the same biases as oneself, a neutral sound will, on the whole, gain you most friends. And, of course, as I already intimated, neutrality meshes well with the engineering approach. If you design for absolutely flawless measured performance, the result turns out to be sonically neutral too." Putzeys
And your replies have shown a willingness to completely discard other people's viewpoints when they don't agree with you.