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To answer your questions, the speaker was on a table outside, with no walls within 6 meters, the mic at the same level as the speaker, at 1m away from the speaker.I did not measure them both at once. I hooked up the woofer only, with no filter at all, used REW and umm6 mic to measure. Then, did the same with the tweeter only. Didn't change volume on computer or volume on amp. Saved those two frequency responses as txt files, imported them in vituixcad and that is what you are looking at.
Not uncommon for "matching" drivers to not match (measure the same), even high-end drivers. Don't know how many manufacturers measure each driver they install (or to allow for 20 hours or so of break-in first before measuring).
Re: baffle step, I always wonder why 2.5 way speakers aren't more popular - it's a nice elegant solution to the baffle step loss and doesn't cost you anything in efficiency from the midwoofer.
I think i am getting closer to an acceptable result. But I was wondering, in REW, just how much smoothing is OK ?Is a flat frequency response the best target or "house curve" should be preferred for a more "easy listening experience" ? Not that i actually am going to achieve one or the other with success but for knowledge, which would you choose ?I will try to come back this week end with plenty of details. Pictures and measurements.In the meantime, here is a picture of the last measurement i made. In my workshop, mic at 1 meter, speaker at the edge of the table, psychoacoustic smoothing, and the difference in db from the highest peak to the lowest dip is approx 10dB. So yes, improvements are yet to be made and that is also why I am asking about smoothing because unless it is Var or Psycho smoothing, it looks like a wild roller coaster.
What does it look like with 1/24 or 1/12 Octave smoothing?
Each horizontal line is 5dB.
What you are seeing is based on the speaker and mic placement. Below 800hz you are getting reflections from somewhere - the floor or a wall that's too close. That's why you have the dips at precise intervals from the woofer. The 1/24 is the more accurate and you can see the dips are really narrow, so not that bad. So you can either move the mic 6in-12in closer, raise the speaker off the table even higher, or move it away from any walls closer than 3ft/1m. You'll see the response change. What's more important right now is the overall response, which looks really good! You seemed to have handled the tweeter well. Now you can start playing with tweeter level values depending on your taste. Some people like very flat, some people like a slight tilt down like yours. Up to you.Can you show the current crossover?
I improved my setup for taking measurements, did another round of tests by switching values one the caps, inductors and resistors,I tried to lower the inductor's value but couldn't get the 500-1000Hz to stay flat so went back to 1.8mHAs for the Lpad, tried to put it before and after the cap, one resistor before, one after, but it didn't change anything by measurement or ear (wich are not really great in my case) So I kept the same values and set it after the cap, as suggested.I also changed the value on the cap, looks better.After "noodleing around" I measured the drivers separately and was kinda surprised that they cross at only 1500Hz.As you can see, I have a bump in the <100Hz, up to 8dB, I kinda like that so I'll leave it that way but if I wanted to damp that, what can I do ? Add a capacitor ? Lower the enclosure's volume ?Each horizontal line is 5dBDid some paint job, not satisfied, cheap spray can... I will sand it again and paint it with better quality paint.What do you think ?