
The new Audio by Van Alstine Vision phono preamp was delivered yesterday. This preamp basically makes a SUT useless as Frank has incorporated all of the gain and loading required for virtually any MM or HOMC or low output MC cartridge available today. Several gain options are available including 40db for MM and your choice of 54, 60 or 66db of gain for MC cartridges. The cartridges can also be loaded (via internal dip switches) for 30, 47, 100, 220, 475 and 1000 ohms.
Inputs and outputs are via standard RCA, gold plated jacks. The power supply for the unit is a
16 volt, 400ma wall wart (non-switching) and uses a jack on the back of the unit for connection. The unit also comes with the standard, thumb screw ground connection point.
After zero warm-up time, I fired up Thomas Dolby's "Wireless" LP, using my plain Jane VPI HW-19jr (with the sorbothane plinth dampers), Audioquest PT-6 tonearm and one of my AT440MLa cartridges in a Lofgren B alignment.
I have heard several iterations of this preamp before, but I was certainly caught off guard with the first LP. The sonic wall now seems to have a slope to it, with the low frequencies at my feet and the reverberant sound stage much deeper and wider then heard before, ever. My newly constructed (and calibrated Vu meters confirmed uniform output between the channels) and that was evident due to the excellently centered sound stage. The second LP was from Dead Can Dance's Into The Labyrinth by Mobil Fidelity Sound Lab. One of the passages on side one (The Wind that Shakes the Barley) always sounded overloaded from Liza's powerful voice, but the new Vision walked right thru this where my other phono preamps all had produced the highly modulated parts of her vocals as an over-modulation (either from microphone or other) saturation. I thought it odd that MOFI would let this pass, but as I now realize, it was the failure of my other phono preamps.
I am also experiencing a more natural presentation of the music, and I supect its due to the fact that the RIAA EQ is more correct. The highs are not bitting, nor is the bass bloated as I have previously experienced with other pres.
It is a really nice addition to Frank's family of products.
Wayner