It looks to me like two different methods. Linkwitz uses active crossovers with separate amplifiers powering each driver while the Wedgie uses a passive crossover with a single amplifier powering all five drivers plus a separate servo bass unit.
I don't understand all of the technical details for what each part of Danny's passive crossover does but it appears that between the crossover and the cabinet design, cancellation effects are taken into account.
The graph is extremely flat from 300Hz out to about 15kHz where it starts to drop off and is only down about 3dB at 20kHz. By crossing over a little below 200Hz, the 200Hz range, which is about 5dB down, would get a little boost from the bass units which would bring it up around 93dB putting the entire unit (Wedgie and servo bass unit) almost flat from 20Hz to 15kHz and -3dB at 20kHz.
What this tells me is that while the design and components are different from Linkwitz's, the objective of a flat response is achieved by the Wedgies and servo bass unit.
If I have this all wrong, those of you who know more than I do please chime in and enlighten me.
Mike