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I'm guessing you don't get out much, FRM. Top 40 and the rest of those craven pursuits have their fans on AC, and I'd bet 80-90% of AC members have dabbled or grown through those stages in life and come out just fine.The rest are Bose owners.
I prefer to think we can make any musical choices we want, good OR bad.
Bro, if you start a thread against Heavy Metal and others satanic music styles I will support you, but audiophile music!!
That said, I listen to a streaming service (the horror!), and I find the audio quality superb. So much so I sold my super fancy CD player and have over 1000 discs long ago gathering dust. No joke! My battery powered Optocoupler too, long since dismantled.
... Pre conceived notions are a detriment to this hobby.
Pre conceived notions are a detriment to this hobby.
Yeah, but can she sing?
I say play for those in the room
There is no such thing as "audiophile music" to rebel against. I guarantee that no musician ever writes and records music with the intent of making "audiophile music".That said, there is a very wide range of recording quality amongst all music genres; while certainly I would not like to have a system which only sounds good with the best recordings, OTOH, a system which prettifies really bad recordings is going to have a lot of coloration of its own, and will not do justice to good recordings at all.While I agree that one should listen to the music they love (for pleasure listening) it makes a lot of sense to have a set of reference recordings (and these need not be "perfect") used to consistently evaluate equipment. The reference tracks should be wide ranging enough that as a set they can show the full range of qualities of a system. It would be pointless to use recordings with no dynamics, no highs, no lows, no soundstage, and no low level details, to evaluate a system.I do dislike hearing the exact same tracks all the time at shows, but even worse is when someone comes in the room and asks the vendor to play a track, and said track is utterly unlistenable because of poor recording quality-there are some recordings which will never sound good and it is not the job of a high end system to cover up egregious recording flaws.
I would like to clarify the term audiophile music...Audiophile labels like Chesky or Mapleshade are bona fide audiophile music, recorded with playback quality in mind first , as far as artistic merit, let the listener be the judge....Then there is music adopted by audiophiles which becomes audiophile music. This music sounds good on a good system, achieves cult status and becomes reissues on Mofi and the like. Though it may never have crossed the producer and engineers mind that it would end up that way. Eagles Hotel California and Patricia Barbers Café Blue come to mind. Yes...Please stop bringing these discs to shows !! Don't forget Diana makes my skin Krall as well. (yes I listen to her, but not in public)
The truth of the matter is labeling a particular genre is futile, individual taste rules...Heavy metal makes me run screaming from the room, but hey if you want to hear Megadeath on a $50k system rock on dude !!!
Things like the Eagles are NOT audiophile because they get played on the radio.
As I previously stated songs like Hotel California are adopted by audiophiles, making it audiophile music...I have heard it played for demo material more times than I care to remember...also the fact that it is released on 24k gold disks at 24-bit/192kHz resolution on audiophile labels like MoFi or Japanese pressings also makes it so. In the end it really doesn't matter...this thread, just stirs people up since it may put down their particular taste in music. Greg
Just because they clean it up, it doesn't make it audiophile music. It's still gets played commercially and they still sell out arenas/stadiums with their stack of Peaveys (or whatever brand of P.A. they use).
I go to shows primarily for entertainment, I don't make buying decisions based on what I hear at shows. Scotty