Hi,
I'm new to this forum, having tracked you all down via a link at audiogon!
I've read through a good deal of the information about the Carver ZR1600 and followed the shootout with interest.
Based on what I've read here and at audiogon, I bought 2 new ZR1600's to go with my Magnepan 3.6R's.
A bit of background: I use the Maggie’s in a large listening room (45' X 28') and one of my issues has been finding an amp with good power handling capability.
In the last year I've used amps from Belles, Perreaux (2 bi amp’d), McIntosh, Cary (pair V12 Monoblocks) and Krell. The Krell came closest to extracting the true potential of these speakers, but ultimately was a little underpowered and also ran too hot.
I've been considering Pass X600 mono’s, VTL 450 mono's and maybe bigger Krell's.
So when I saw the ZR1600 threads, and checked out the pricing, I decided to pickup 2 amps and try them in bridged Mono.
The dealer that sold me the amps commented in a pre-sale email that people were selling off their big Krell’s and buying the Carvers. He didn't say anything about 'modified' Carvers, so I assumed his opinion was that these amps are 'giant killers' in stock form.
Jumping forward, with about 30/40 hrs of break-in, I tried the amps in bridged mono and single stereo. There was no noticeable improvement in sound having two amps in mono config. One amp seems to power the Maggie's quite well. That in itself is quite an achievement. I've had some big SS amps that fell down with insufficient power handling capability.
The sound of the amp is where I get a little confused. For a $1000 amp, it is excellent. For an amp that supposedly competes with SOTA, price no object amps, it's a big let down.
Compared with the Krell for example (FPB200), the Krell is airier, has more top end extension, sparkle and resolution, is warmer and more full-bodied in the midrange and has better bass control and a little more extension. The Krell throws a bigger, deeper soundstage and places performers more realistically, with better image resolution.
The Carver seems to resolve some upper mid details slightly better than the Krell; I've heard a few spatial cues in less complex mixes that I hadn't heard before. The Carver falls apart on complex passages, and the various instruments/vocalists seem to morph together into a confused presentation. Truth of timbre on the Carver is pretty good on smaller less complex recordings, but it also degrades significantly on more complex passages.
My dilemma is this. How can people claim that these amps can compete with the best, in stock form?
There isn't enough in the positive column to make me want to risk $1600 on an upgrade, considering that the resale value is going to be less than half of the cost of the upgrade (perhaps).
The shootout with the ARC 200 seems to reinforce my concerns. Overall, the ARC seems to be more musically satisfying than the modified Carvers.
The ARC is a good quality amp, but isn't up there with a $16,000 pair of Pass Mono’s, or Krell 700CX for example, yet people are claiming that the modified Carver is better than the Pass and the Krell.
Is this potentially irresponsible hyperbole on behalf of new and excited Carver owners?....sure, it's a good amp for a $1000, and probably a good amp modified at $2600. But are you really saying that it can compete with a $16,000 Pass, even though it didn't blow away the ARC?
I think some effort to place these opinions onto context is required on behalf of the people making the comments.
Just my humble but honest opinion.
Rooze
PS - my system isn't ultra high end, but it is very resolving of subtle details. The link on audiogon is here
http://forum.audiogon.com/cgi-bin/fr.pl?vopin&1090602093&read&3&4&