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I'm trying to find out what the Axiom Audio Passive Pre is all about. IN looking at the chain perhaps the passive is not getting you the gain you need to make the maggies sing. You may be able to add a pre-amp with gain and get the dynamics you are looking for. I'm concerned about the Axiom Audio's DNA. Why are you using a Passive? McCheese
I have always liked Ayre equipment ..... The input gain is 26 db, which should be fine for the Maggies but might not work with my next speakers.
I am long time lurker, but rarely post and am hoping that someone might be able to share their thoughts.My system consists of and Olive 4hd to a PS Audio PWD2 to an Axiom Audio passive to an AVA 550 double die + to Magnepan 3.7 speakers. The cables are Grover Hoffman. I am looking to make a change and am concentrating on the amp. The Maggies are a recent purchase. I bought them because I now have room for Maggies and I wanted to give them a try. I have developed a great deal of respect for the 3.7s, but I definitely prefer point source imaging to line source. Regardless, it will be at least another year before I make a speaker purchase to keep my wife happy. The PWD2 is also going to be around for some time. I like the PWD2, except for the digital volume control which is why I also use a passive pre. I have owned the AVA amp for years and have gone through several upgrades. The amp is very nice for the price, but the 33 db of gain is problematic. In the end (short term), I would like to replace the amp and pull out the passive. Sonic qualities: neutrality, precision, and soundstage are all very important to me. Depth is more important the width and I would eventually like to have a palpable 3d image with lots of spatial information and easy detail. In theory, I would prefer musical over analytical, but in reality I don't seem to mind when a system occasionally has a slight drift to the analytical side as long as the timing is perfect.Suspects:Ayre VX-5: I have always liked Ayre equipment and I am sure the reviews will be good. Ayre has a history of offering upgrades and should have good resale value. The input gain is 26 db, which should be fine for the Maggies but might not work with my next speakers. It is also at the top of my price range and its physical depth might be a problem for my AV cabinet.BMC CS2: I like the look, it should have decent resale value, and it has a volume control. I have only heard this piece once and was very impressed with the total system, but could not evaluate specific qualities of the amp itself. It is also at the top of my price range.Hegel H300: The price is right, it has plenty of power, it has a volume control, and the resale should be decent for another year or two. Although I have not heard this specific piece, I have heard Hegel in the past and was always impressed.Class D: Traditionally, I have not been overly impressed with Class D stuff, but I have not heard the latest and greatest and I have an open mind.I realize that I should have a home audition, but I think whichever I bring home first will end up staying regardless of whether it is the strongest choice or not.Any thoughts?
I recently bought that new Job 225 amp for $1500. 6moons gave it a very glowing review including a Blue Moon award. This amp is the best AC powered amp that I have ever had at my place, even better sounding than the Ncores. It has fantastic depth and musicality.http://www.6moons.com/audioreviews/job/1.html
Of the ones you posted I think the BMC really does everything well. Very impressive stuff. Great tone, unbelievable dynamics and build quality. Other than that some of the Class D stuff out there is pretty good, the best I heard so far is D Sonic out of Texas.http://www.6moons.com/audioreviews/dsonic/1.htmlThey had by far the lowest noise floor of any amp I have ever heard although they lack some of the musicality of the BMC. Class D still sort of flattens music for me, but amazing headroom dynamics and the lowest noise floor I have ever heard.