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Like I said earlier I use all EH tubes in my Tempest III with great success that allows me to enjoy the music.
Standard EH or those special cyro treated ones?Thanks
Thanks but where to source them? Every place I look (ebay, tubedepot, other audio groups, etc.) they're running at least $200 pair...
Sylvania Amplitrex-matched 12AX7 pairs starting at $69/pair:http://tctubes.com/12AX7-ECC33-5751-7025-tubes.aspx?page=2Sylvania Amplitrex-matched 12AU7 pairs starting at $42/pair (Raytheons $39/pr):http://tctubes.com/12AU7-ECC32-5814A-6189-7316-tubes.aspxTelefunken 12AX7 $120/pair:http://www.tubeaudiostore.com/tubes.htmlI would buy primo tubes from these guys, due to their excellent quality testers used, instead of giving the other guys, who use some old tester they found on ebay, loads of my dough for questionably tested tubes at high prices.Have fun!
No, I was looking at $200 for Sylvania 3-mica black-plate, gold pin 12AX7's....the previous owner told me he never changed out any tubes on the Cronus after buying it so I assume that they're the stock tubes with probably well over 100 hours on them. I'm leaving the stock KT-120 power tubes in place. I am gonna try Freo's 's suggestion today, the prices look great....A question, when I swap out the 12AX7's should I also be looking at changing the 12AU7's?....Update: thanks for the links, I'll take a look.[/quoteAlex, I have a Cronus Magnum and have settled on the following arrangement after some experimentation:12AX7 -2 Tungsram (1970's vintage)12AU7 preamp position - Telefunken smoothplate (early '60s)12AU7 2 RCA Cleartop (Conn Organ pulls)I tried an RCA Cleartop in the preamp position but it couldn't match the Tele for depth of soundstage and overall balance....but it was close.I have a set of Mullard CV4004 and CV4003 from the 1980's, however, for me, they were a bit blurry. I know they need more break-in time.The Amp came with an old GE triple mica 5814A (installed from the factory) and it is very good, as well. A bit more forward than the Tele.Just my 2 cents.
Alex, I have a Cronus Magnum and have settled on the following arrangement after some experimentation:12AX7 -2 Tungsram (1970's vintage)12AU7 preamp position - Telefunken smoothplate (early '60s)12AU7 2 RCA Cleartop (Conn Organ pulls)I tried an RCA Cleartop in the preamp position but it couldn't match the Tele for depth of soundstage and overall balance....but it was close.I have a set of Mullard CV4004 and CV4003 from the 1980's, however, for me, they were a bit blurry. I know they need more break-in time.The Amp came with an old GE triple mica 5814A (installed from the factory) and it is very good, as well. A bit more forward than the Tele.Just my 2 cents.
What did you like about the Tungsram 12AX7s compared to other 12AX7s you tried?
This is a question re the 6sn7 tubes in the rogue 99 pre amp. Apparently two of the tubes positions are the most important and should have the better tubes. The are some AG threads to this effect.
Just wondering if anyone can confirm that this is true, and also that it,s fine to have 2 different brand of tubes- ie 2 matched pairs one on each side?
Tom,The tubes on the right, looking from the front of the unit, are the gain stages, and if I remember correctly, the tubes at the back are for the left channel. The tubes on the left are the cathode/mu followers. WRT tube position and sound, I hear a significant difference when I change the follower tubes. If I had to assign a number to that, considering what I hear and what others have reported, I'd guess 60/40 gain/follower. Yes.Robert
Just curioous, has anyone compared the EH 5751 Gp to the EH 12AX7 GP ? Been thinking of giving these 5751's a try but am wondering about the 12AX7's from the same manufactuer. When I asked Ron at cryoset about it, he said that usually the 5751 is only used in "problem" designs and that the EH 12AX7 GP would be more dynamic. Currently I'm running Baldwin (sylvania I guess) 12AX7 and am happy with them but with the price of NOS tubes going up all the time, I'd like to find a current production tube that I'm happy withCurious to know if anyone has listened to both of the EH gold pin versions and what the differences were-jay
I asked MArk O'Brien about using 5751 in the Tempest and he said they were good. I am not sure they are only for 'problem' designs but I am no expert.