Laundrew, I just discovered this thread and want to thank you for your stimulating and provocative questions, as well as thank those who replied for their thoughtful and interesting responses.
I would be very interested in the views of the Bryston folks, as well as others involved in the design and manufacture of the gear. What drives them?
From my view, fine audio components are precision tools, the means to our end of listening through the gear to the dynamics of the performance. As several folks have pointed out, there's a deep pride of ownership in quality gear, just as those who own superior tools or instruments treasure them (as you and others have illustrated in the Picture Food thread, Laundrew). There's a beauty in clean design and precise function. We've all felt the quality in turning a well-machined knob, viewing a beautifully designed front panel, or pressing a precisely manufactured switch. Yet, while the gear itself is pleasurable, its importance lies in its role as our gateway to the listening experience. Superb construction and design mean nothing without superb performance.
Is the same true of the media we play? Many of us have searched for the elusive performance or recording. How many of us have upgraded from our standard recording to audiophile media? Is it the qualities of that performance or recording that elicit our desire to own it, or do the external factors discussed in this thread drive us?
While some in the audio world seem to obtain ne plus ultra du jour components for bragging rights, I would submit that most of us in this hobby, as well as the manufacturers we admire, like Bryston, revere quality of performance and pursue it with passion. Some may tend toward a primary focus on the gear, while most of us may tend towards regarding the gear as the means for listening through to the music, but it's not an either-or dichotomy. There's room for all of us, and if those folks whose penchant for churning gear support the manufacturers that we want to thrive, isn't that a benefit to the rest of us? Is a true audiophile one who's on a quest, a journey to get closer to the music? Such a query may be too pat.
Which elicits the questions: How did you get started in audio? What piqued your interest to move up from low-fi? What was missing? Have you found it yet?
Cheerio,
Rich
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Whiney Napa Valley