See above for more test parameter details.
Program is a James Taylor live performance (CD), cymbals a bit splashy, lower treble hot but otherwise captures natural live sound very well, huge extremely layered stage and great imaging effects. (In Trinaural, as mentioned above, there are hundreds of specific, natural, easily pinpointed audience members, each in their own atmosphere, in a stage extending an estimated 75' beyond the front wall. Chorus is in perfect arc, apparently several feet behind Taylor.) James Taylor, piano, rhythm section, moderately large background chourus (all or mostly female on this cut). Even in mono, employing Trinaural center channel program, there are audible stage and image effects.
2' Stan Warren recipe, Marinco IEC and hospital grade plug vs. 6' generic toss-able molded mains
First SW. About 30 seconds of the song that begins, "Let us turn our hearts today, to Martin Luther King...". After switching to the molded mains I definitely suspected the stage shrunk in all three dimensions (again, this particular array creates better spatial effects that any speaker I've heard). But I also suspected there might be better focus. I definitely suspected that transients and the overall presentation had a new a-musical edge.
Upon switching back to the SW it was clearly no contest. Stage and image effects multiplied, edginess replaced by an emotional ease, everything integrated into a whole musical event vs. disconnected musical events with the molded mains cable. I quickly forgot about listening critically and just let in to the music. I could best describe the molded mains cable as having some of the effects of a cassette deck (minus the wow and flutter).
Speaking of wow and flutter. I recently, for the first time, experienced noticeably improved center pitch of notes, especially, for instance in a large symphonic recording, with room treatment improvements. I was not searching for it, it just appeared.
I'll ask the wife to do an ABX test later.