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I quit vinyl backaround 1987 or so. (and so did 90% of ALL audiophiles..) For a new to vinyl person, the ONLY reason to get into it is novelty. It can be fun. Especially if you only really used an ipod. The physical aspect can be interesting.If you are only wanting 'better sound', but never had Lps before. Run do not hide.. Go buy a better DAC or something.. The folks who make all these claims that Lps sound so much better than digital just never had a decent digital setup. (OR they love the flaws in vinyl, and hate the flaws in digital..) Personally i think the folks who constantly shout out how wonderful vinyl is are crazy.. Now obviously I am interested in vinyl, just not some nutcase over it.All you nutcases feel free to blast me. LOL.
I quit vinyl backaround 1987 or so. (and so did 90% of ALL audiophiles..) I got back in around 1995 (??) anyway, I just found it was worthwhile to collect used LPs as well as CDs. (Good used Lps used to be cheap, now, they are too expensive. Good thing I got all those old ones I want...)I have two nice TTs etc.and 6,000 LPs. I have to say vinyl is neither superior nor inferior to CDs. They are just a little differerent, with different pluses and minuses.I enjoy buying used vinyl as i have several used sources locally, and can find plenty to interest me locally.The person who has to buy online should forget vinyl!!!!!! It is too expensive to buy only long distance. (this is if you are a cheapskate like me, if you have plenty to spend, then ignore this comment)I have many many duplicates between CD and LP, and enjoy both.For a new to vinyl person, the ONLY reason to get into it is novelty. It can be fun. Especially if you only really used an ipod. The physical aspect can be interesting.If you are only wanting 'better sound', but never had Lps before. Run do not hide.. Go buy a better DAC or something.. The folks who make all these claims that Lps sound so much better than digital just never had a decent digital setup. (OR they love the flaws in vinyl, and hate the flaws in digital..) Personally i think the folks who constantly shout out how wonderful vinyl is are crazy.. Now obviously I am interested in vinyl, just not some nutcase over it.All you nutcases feel free to blast me. LOL.
For all those audiophiles out there, please forgive my faux pas, but what is the deal with vinyl? Why are some people willing to fork out sooo much money for a fancy turntable and tonearm?And also, is this generally considered of better, worse or different audio quality to analogue tape?
The most compelling reason for someone who is interested in the entire history of recorded music is that a vast number of recordings have never been issued on cd. I don't really know exactly how many classical lp's I own that are still not on cd, but it it is not an insignificant number. The second reason is that if you are looking for the best possible sounding version of a particular recording, that option is often a vinyl lp. Not always, but often. Even with recent releases this can be true. I just bought the new Dead Can Dance release "Anastasis" on vinyl and cd. There's no contest, the vinyl version is superior by a large margin. However, if I hadn't already been buying vinyl for forty plus years, all this might not compel me to jump into vinyl now. I bought most of my collection before the fairly recent huge jump in prices for quality used lps I've seen in my area. No more frequent .99 - 2.99 bargains like I used to get on every trip to the stores. Competition now for used stuff is fierce compared to five years ago. My favorite Ebay seller of classical lps now gets three times the bid price for things today compared to two-three years ago.
Great post!! Not to mention the vinyl omnipresent noises and the wear/abrasion, which the vinyl fans had amnesia about. Congratulations!!
Once you reach a certain level of quality in your playback equipment and if you collect clean copies of any given lp and you use a good record cleaning machine, the noise and wear issues are moot in my experience. Someone whose only experience with vinyl was with dirty records and cheap 70's era equipment who hears a modern vinyl system playing clean records is going to be surprised at the lack of noise. Everyone who listens to my system remarks on the lack of noise/ticks/pops/etc. Now this isn't to say that vinyl is ever going to have a 100db signal to noise ratio like digital, but in practical application, the level of apparent background noise is so minimal it's seldom noticeable (given a quiet stylus profile, clean records in good condition, etc.) Wear is a non existent issue in my experience, at least once I started paying attention to cleanliness and good set-up procedure. I suppose that if you play an lp with OCD compulsiveness over and over, wear will be a factor. However, I don't play any lp, even my favorites, more than once a month probably. Even very frequently played lps from the seventies that I took good care of play with minimal noise and have no audible degradation.That said, I think Elizabeth's take on getting into vinyl is pretty much spot on for MOST listeners. If you've got deep pockets and time on your hands to work at acquiring a collection, I still think vinyl offers some unique sonic attributes that are alluring. Digital playback has gotten so much better in the last decade, the gap vis-a-vis vinyl has definitely shrunk.
It's more fun.Doc
I had some senior friends vinyl lovers, they are unlettered in audio.Could you inform me what is the most silent running stylus type??I will suggest it to them.Thanks in advance
...There's no contest, the vinyl version is superior by a large margin.
Why not just get both vinyl and Digital ?lapsan
I see no one has addressed the point about analog tape. In my opinion top tape playback like the The Tape Project tapes is better than even vinyl.
I'm no oracle of catridge design , but from my experience over the years, it seems each upward progression or development in stylus geometry yields quieter "in the groove" listening. Shibata, micro-ridge, Van den Hul, Fritz Gyger, line-contact, and other later developed sylus profiles can all play very quietly.
I'm no oracle of catridge design , but from my experience over the years, it seems each upward progression or development in stylus geometry yields quieter "in the groove" listening. Shibata, micro-ridge, Van den Hul, Fritz Gyger, line-contact, and other later developed sylus profiles can all play very quietly. From what I've read, these all tend to ride low lower in the record grooves than earlier conical and elliptical styli and are able to track in quieter, less worn areas of used recordings. This thread from the vinyl engine has a wealth of information about stylus design: www.vinylengine.com/turntable_forum/viewtopic.php?t=22894