The exciting discussions around waveguides and back-firing drivers that have come up discussing Hobb's cool new NX-Bravo design (
https://www.audiocircle.com/index.php?topic=190223.0) have gotten me thinking. Note that that's not always a good thing, but humor me.
The question: for a user with sufficient space, could the Studios sound "even better" if built so that the tweeter is fully open straight back toward the wall?Before someone jumps on me, I'm
not criticizing their current design, which obviously was focused on enabling an OB tweeter to be placed close to the back wall, and be usable as monitors. It's super cool that that works.
I have slightly different constraints--I can often have my speaker baffles 3 feet (but not much more) from the rear wall, and I'd be building them as towers, so would have internal volume to spare. However, while I'd love to have full OB, I have neither the space nor the budget for Oticas and OB sub stacks. I did just build a GR/Rythmik-based dual-opposed sealed servo sub to pair with them, though.
What I'm thinking:
- Build the zone behind the tweeter flat or even slightly sloped down (rather than ramped up)
- Taper the sidewalls of the tweeter zone downward at a similar slope to how they currently taper up (or mimic something closer to the asymmetric Otica baffle??)
- Make a ramp/wing module that I could drop into place so that if I
did want to push them back against the rear wall, I still could (resulting in geometry basically identical to the current Studio top--in effect, a "near-wall converter")
- Shift the air volume lost behind the tweeter down into the volume of the tower.
- Preferably, make the towers a little shallower than the current 14" depth and shift that volume down as well (would look nicer in my the room and was very successful with my recent conversion of Avinci Studio monitors to towers)
Given my different constraints, could this sound a fraction more like a full OB? If nothing else, they might look a little shorter visually with the top taper?