[Wayner]

I have been absent from the recording studio life for 5 years and have decided to plunge back into it, tho not at the scale of the first one. This one features the awesome Korg Microstation, the TASAM 144mkII USB Interface, a TASCAM T0-8 12 channel mixer and a Lexicon MX200 effects processor.

 

The software I use is Cakewalk Pro Audio 9 which has full MIDI implementation and also records analog in multiple tracks (only limited by the computers ability to keep up with it all). This seems like it will be fun, but the MIDI hell is not over, but getting further along then a few days ago. I swear these synths get better and better, but more and more complicated.

Wayner

[dlparker]

I have been absent from the recording studio life for 5 years and have decided to plunge back into it, tho not at the scale of the first one. This one features the awesome Korg Microstation, the TASAM 144mkII USB Interface, a TASCAM T0-8 12 channel mixer and a Lexicon MX200 effects processor.
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The software I use is Cakewalk Pro Audio 9 which has full MIDI implementation and also records analog in multiple tracks (only limited by the computers ability to keep up with it all). This seems like it will be fun, but the MIDI hell is not over, but getting further along then a few days ago. I swear these synths get better and better, but more and more complicated.

Wayner

And a telecaster man, no less!  The one true guitar, or as Bill Kirchen calls it, "The Hammer of the Honky Tonk Gods".

[Wayner]

It's David Gilmour's (of Pink Floyd) favorite guitar, too. I have 2 of them as the other is a semi-hollow with built in fuzz. A real nice neck that is lighting fast.

I also have a Martin D1 acoustic and a Steinberger electric. A nice Washburn mandolin finishes the stringed stuff. I do have a real nice violin, but I really need frets. I have played it, but it's like trying to make a pig sing. It sounds real bad and pisses the pig off.

 

[dlparker]

It's David Gilmour's (of Pink Floyd) favorite guitar, too. I have 2 of them as the other is a semi-hollow with built in fuzz. A real nice neck that is lighting fast.

I also have a Martin D1 acoustic and a Steinberger electric. A nice Washburn mandolin finishes the stringed stuff. I do have a real nice violin, but I really need frets. I have played it, but it's like trying to make a pig sing. It sounds real bad and pisses the pig off.

 

I should take some pics of mine and upload 'em.  My main tele started out as an eBay special, MIM maple neck, and a licensed fender quilt-top ash body.  Wore the frets down on the neck and my guitar tech said it would take one more fret dress, after that a re-fret for $300.  So I ordered a Warmoth total vintage all rosewood neck with stainless steel 6105 frets.  It's a Nashville style (added middle strat pickup) with a combination of Kinman Broadcaster and DiMarzio pickups, and the Buzz Feiten tuning system.  The backup is about a 30-year old JB Player nashville tele with Seymour Duncan pickups.  Also have Yairi DY-46 flattop.