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With foam, I ended up with 1 to 2 inch strips right at the sides of the array (except by the tweeters). I hold this on with adhesive backed velcro pads . These pads come off periodically and seem to be doing no harm to the finish. I find this a slight improvement. The foam prevents a little bounce harshness that was there regardless of driver level setting. It is probably less absorbtive than the felt.
Bob,No, move the woofers out. You definitely don't want to move the mids inside the cabinet....on my modded 626s I turn the cabinet upside down and place the midrange/tweet on an open baffle that can be moved back on top of the bass cabinet.....no can do with RM-40s. You can try some kind of spacer on the woofers to move them forward about 1.5 inches. Pretty crazy, I know. I am sure you won't try it. Don't blame you. Enjoy.
You can try some kind of spacer on the woofers to move them forward about 1.5 inches. Pretty crazy, I know. I am sure you won't try it. Don't blame you. Enjoy.
Minimum phase response means that the envelope of frequencies arrives at the ear at the same time and in phase. To do this I use first-octave crossovers (phase linear) and wire all drivers electrically in phase. Phase plugs in the woofers move their acoustic center forward to the blunt tip of the phase plug, and into the same plane as the mid and treble ribbons. Since these are planar they do not need to be moved back relative to the woofer's acoustic center. You can experiment with this by tilting the 626's back a few degrees at a time. You will hear the sound deteriorate. Optimum listening height for the 626's is about a 8" window between the upper third of the mid panel and the top of the tweeter diaphragm. There are "time aligned" speakers like Thiel and Vandersteen that wire midranges electrically of inverted polarity relative to the woofer and tweeter, which results in measurable better amplitude response. Of course it also destroys the integrity of the music signal outside the crossover region. Phase changes 180 degrees as the signal exits crossover and into the passband, a highly deleterious and audible effect. Push pull motors, in phase electrical wiring, first order networks and very wide range transducers are some of the keys to my designs, but hardly all the considerations necessary for good sound.