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We had the speakers spaced exactly the same. We had them all aimed to cross just behind the main listening position. Worked pretty hard to eliminate placement variables.
I don't think it's possible to eliminate all the placement variables without physically moving the speakers into the same location for every switch. From what I've heard in my experiments the exact distance to all walls (side walls and front/back walls) make a noticeable difference in soundstage. And the positioning of other objects in the room (like other speakers for instance probably has an effect as well.
jw87c- Congrats on your decision! You will be a happy man when those babies show up and you fire them up. and... good luck with the wait. That is the hard part, but is always worth it when the big day arrives.
After listening to all three speakers with the same configurations, it seems to me the difference among them is pretty obvious.
And I came to opposite conclusions in a similarly strict comparison The wider dispersion of the ST tweeter made for a more realistic and enjoyable soundstage (which I value more than bass). It all comes down to individual preferences.
So true on personal preferences. I'm tempted more than ever to drag the ST's into my 2 channel room and crank them up.
What's stopping you?
Laziness.
Okay, I did the swap. The ST's will go back in the HT soon. They are surely in a different league wrt the HT2TL's. There is a veil over the music and instruments like tom toms and timbalis don't have the punch and snap of real life.I'd say as a very smooth speaker the domed tweeter ST's excel, but I want detail and all of it as put down on the recording and the ST's don't give me that in my 2 channel set up.Imagining is the same consistency as all of the Salk speakers and the soundstage depth is the same as the HT2TL's. But the delicacy of voices is rounded over on the edges as compared to the ribbon tweeters (LCY) I have on the HT2's.Bass is very good and punchy. I'm excersising them right now on Bad Man - Government Mule and they are punching pretty good. Hopefully the woofs will remain intact. So I will play with this and experience the HT2's in the HT for a movie later to continue the fun. I consider the HT2's and up overkill in the HT scenario but of course for those with dual purpose rooms it makes sense. I notice the highs of the ST's to a large extent in the HT environment so it will be intersting to see what the HT2's do for me there. I'm not going to recalibrate for the HT2's though.Catch you later.
Thanks for posting the comparision.I wonder how this would have played out if you were comparing the HT2-TL with a SongTower with the RAAL tweeter option?
Okay, I did the swap. The ST's will go back in the HT soon. They are surely in a different league wrt the HT2TL's. There is a veil over the music and instruments like tom toms and timbalis don't have the punch and snap of real life.
I remember somebody mentioned that ST with dome tweeter is like watching a view behind glass, and ST with ribbon tweeter is like having the glass removed. That's exactly what I felt when listening to the ST and HT2-TL side by side.
No, I think you're confusing the comparison. The quote was related to the Monitor Audio RS6 vs the Songtowers (Nuance said it in one of my threads). Having gone from the RS6 to Songtowers I totally agree too. The Songtowers are a very revealing speaker. Personally I was not able to pinpoint a difference when comparing the Songtower RT to the Songtower dome.
Actually I was quoting a different thread (also from Nuance) , which is a comparison between the dome tweeter and the ribbon tweeterhttp://www.avsforum.com/avs-vb/showthread.php?p=14828784#post14828784Looks like Nuance likes to use the glass pane analogy . Indeed I found the analogy quite accurate when listening to the dome and ribbon side by side .