I've recently made a discovery that has me questioning high end audio design concepts.
Started off with trying to improve the amp section of a Sony STR DA-6400ES receiver. The fron end preamp section in this unit is quite good, but the output amp section is run of the mill at best. So, used the preamp out and connected that to a STR DA-9000ES receiver, to take advantage of the improved amp stage.
The sound improvement was signifigant, which got me to experiment more. Eventually, wound up with two STR DA7100ES units running a bi-amp setup. Connected HDMI, i-link, and optical input streams to each of the 7100's. Connected one 7100 to the 5 LF sections of the speakers, and the other 7100 to the 5 HF sections of the speakers.
The results are nothing short of astounding. The S-Master Pro accepts the various digital inputs, and routes them to MOS-FETs, through a LF pass filter, to the speakers. The signal stays digital to the output stage, which is a class A zero feedback topology.
This type of setup seems the way to go. The D/A and A/D conversion is removed with this, which opens up the sound considerably. I would think that conneccting digital inputs to audio gear would be the way ahead here.
Sony uses a analog power supply for the class d amp, which provides sufficent power. The folloing link explains how it works:
http://www.docs.sony.com/release/ES_STR_05_Final.pdf