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Noted and appreciated Lin. Dan
I'm surprised you're publicly attempting to question the validity of such works
I would agree that it could be made flat, and flat is often (usually?) better than "not flat," but does flat == good?
Toole dismisses in room measurements, and the metric that he (& Olive) used to correlate what people hear to what is measured takes 70 measurements. One thing that stands out, is that Toole says over & over again, is that the ear + brain is way more capable thean a mic + analyzer.dave
Back to Toole & Olive (and Geddes too). On axis measures are not that useful, at least not without support from off axis measures.dave
Personally I think this is a false dichotomy. It doesn't have to be all measurements or all subjective. It seems foolish to ignore the broad spectrum between those extremes.Ultimately, for most of us, the only person that needs to be satisfied is ourselves. If you can do that by ear, great. It's not that hard or expensive to get some basic measurement capabilities. I've often tuned something by ear, thought I had it sounding pretty good, then took some measurements, made some simple adjustments, and had to admit the end result was better. And vice versa - sometimes I'll listen to the theoretically better setup, but then go back to something I enjoyed more.
Dr. Toole is an engineer and far more critical than the DIY guy can ever afford to be.
But, how many of us are going to spend as much or more on equipment to measure what we hear than the equipment that produces what we hear? It's just not practical.
Mesurements may be the most accurate, but the room, the gear and the ears have the final say for the average diy'er.
I'm looking for an inexpensive RTA.
There is a lot of talk about measurement, which is very usefull for the average diy'er and even more so for the professional designer. Although, not very practical for the average amatuer, imo. Published data is a great starting point for choosing drivers, etc. But, how many of us are going to spend as much or more on equipment to measure what we hear than the equipment that produces what we hear? It's just not practical.Mesurements may be the most accurate, but the room, the gear and the ears have the final say for the average diy'er. A good computer program along with trial and error go a long way to achieve affordable high quality performance.
Personally I think this is a false dichotomy. It doesn't have to be all measurements or all subjective. It seems foolish to ignore the broad spectrum between those extremes.Ultimately, for most of us, the only person that needs to be satisfied is ourselves.
Fractions of a decibel aren't my concern.
Hi Dan, I wish! I was thinking of this: http://www.trueaudio.com/
It seemed he was much more concerned with the measurements frequency resolution...dave
Was there a reason to repeat what I said?
I didn't. You were talking about differences in the y axis, i in the y-axis. dave
As long as we're being pedantic...'Fraction of a decibel' is resolution in the amplitude (y) axis. Dave was talking about resolution in the frequency (x) axis, even though he said 'y' in his post. For example: your measurements may be accurate to 0.1dB, but you're only taking one measurement every octave. That's high resolution in the Y axis, low resolution in the X axis.So maybe you guys are in fact talking about the same thing, but you're not typing what you're thinking
Dr. Toole is an engineer and far more critical than the DIY guy can ever afford to be. He's correct that anechoic measurements ARE better. You just can't get that resolution in a room. However, if you look at how closely in room measurements (if done correctly) correlate with anechoic, the difference isn't worth worrying about--at least to me. Fractions of a decibel aren't my concern.The ear and brain may well be more sensitive, but that sure doesn't mean they'll be better for designing a better speaker. I suspect Harman or any speaker company wouldn't buy all that expensive testing and evaluating gear if the ears were a better design tool. Dan