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...I agree with Dougs findings and want his sub. ...
BUBBA LIKES M&K who make SEALED BOX SUBS!!!!
Doug,I don't know the price of the Marchand unit, but I think dual Tumults ($998), a Behringer Eurorack amp ($349) and a couple of sheets of MDF ($40) should get you somehwere around the $2K range. If dual sealed Tumults don't get you the SPL's you want then build new cabinets, each with 2 18" PR's, sit back, and hold on!
brian, a pair of tumults might come close to what i have. *might* is the operative word here, imo... but, why would i wanna do this? using an outboard active x-over like the marchand will be far more transparent a way to cross my monitors to my subs. so, i have to spend about the same $$$, and do diy for performance that *might* get me close to what i have? extension to 17hz is really enuff for me now. especially w/output to 120db & <5% thd. my subs (older upright iterations), are ra ...
I'm not going to argue subjective viewpoints because it is a waste of time but there is no way in hell that your going to come close to the output of a pair of Tumults when properly used. When Brian sends one of his unit to an objective third party to measure only then will I believe this 120db & <5% distorition. Those specs are not worth the paper they are written on. It doesn't take a whole lot to do some calculations to see what kind of excursion that driver would need to have and the power needed to drive it and your going to find out that it just isn't possible.... These specs without any information on how they are measured, at what frequencies are total BS. Had to get that off my chest.
anyone who wants to test the vmps subs is welcome to do so. why does brian have to send 'em out to be tested? if i were a competitor, & i dint believe those specs, *i'd* pay to have 'em tested, yust to disprove bogus specs that could eat into my sales.
...I'd expect 2 Tumults and 4 18" PR's in the right enclosure and the right amount of power to bury the dual VMPS subs. This should get you roughly 120dB anechoic from 20Hz and up (which means well over 120dB in room) and over 110dB anechoic from 13Hz and up. And it should be less than 3% THD anywhere above 15Hz or so. What I'm describing is basically Acoustic Vision's Everest sub. ...
I hope I am pretty clear here.
4. Competant subs for music or HT- these do not have to be the loudest, but the must integrate and carry a tune. The must have 1st octave bass, cleanly. Some boom is ok for HT because it's necessary. Should be switchable to music setting for more control.5. Exceptional subs for music - these have high output, high speed, clarity, detail with excellent integration and no boom. Normally subs in this category for me are...you guessed it...SEALED.