Congrats.
What finish did you get?
Still debating what I should do in my room.
Could you put some more pics of the diffusors in a gallery or something, like shots from the side, back and a little closer?
-I had asked for a little more explanation from Dave on what he meant by adding mass from the packing material.
Could you tell us if you did this?
-Tony
Tony, I'm sorry if I missed a question on this. I thought that I had been on top of this stuff, but I think not.
We ship the diffusers with a piece of cardboard and a piece of 1/8" masonite as protection and as a way to mass load the diffusers to help correct room problems. This is for very broad tuning only and not meant to be a cure all. The cardboard and masonite can be attached with double stick foam tape for trials and glued on with acrylic latex caulk for permanent soultions. The cardboard will make the panels more absorbent in the lower midrange (<350Hz) and the masonite in the mid and upper bass (<120Hz). The panels can be configured in many ways and the most often used application will actually be behind the listening position. Dipoles are a new animal to me and others, so the uses are going to be cut and try for a while. I know what the math says, but sometimes application does not follow theory to the letter. Like my friend Bob Hodas says: "Diffusers have been around for a long time and we still aren't really sure how to measure them."
Room treatment is an art as much as it is a science because of the listening variables and requirements. You don't treat a room the same way for chamber music as you would for Megadeath.
Rich is in a learning mode and I will be making some suggestions from what I can see, but it is hard to do when I can't be there to measure and more importantly, listen to the space and the effects of the treatment.
Anyway, Merry Christmas everybody!
Dave