hello everybody ...
DUCKY'S BACK...
I was at a friend, a test of extreme stratos mono on jbl 250 ti re-filtered. here's his comment
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a person who controls much better than my hi-fi, with a long experience ...
hello THE FELLOWSHIP
a force of scolding me like a naughty boy, and under pressure and some impatiament recognize that, I finally m'execute for the redaction of the CR as expected (ca a reflection of the good) Amps stātos ODYSSEY MONO EXTREME here renamed for the occasion under the EMS
for the listening room is 48 square meters to bring some level and not be at the close
For the material I had to make a choice between the many links at my disposal it would be
source: SACD SHANLING TC (optimized by changing the tubes)
in preamp: SUNFIRE TG5 and PHASE LINEAR 3800
in speakers: JBL 250ti (external filtering components hdg (self a ribbon Jantzen, condos Audyn cap, and other resistances mox))
after setting up and up, it starts with women's voices and jazz
DIANA KRALL album "the girl in the other room," the voice is raised and a natural confusing, the instruments stand out remarkably, the plans sound both in width and depth are transcribed with great accuracy
Patricia Barber album "Cafe Blue" and "companion live, his voice carracteristique is here with a grain density, a relationship that I've met that very few listenings
on the track "too rich for my blood" of a more formidable difficulty of the medium / high (crescendo on the voice, in charge of it a very high level), distils MEUs rendering of the most serene, not of tension or pinch feature if the amp has "limited"
on the track "Nardis" and its final Dantesque MEUs alternate subtlety and power with the first rule compliance games and stamps instruments
on "black magic women" companion of all is transfigured, MEUs retranscrivent side with this "reel" the ultimate tonic and nervous of this title
passage of a more electro sound tracks
DiMeola / McLaughlin / DeLucia album "friday night in san francisco live" and its flagship title "Mediterranean Sundance" to try and enjoy the harmonics, fast transients, the spacialisation and stereo effects, what is the first When I hear this title with equal force, realism and speed, it is articulated and absolute control
on the title live in "the clap / mood for a day" group YES, the guitar playing of Steve Howe is rendered with the feeling that it plays in the piece, is a holographic image, one forgets the pregnant a point that it can look disturbing
masses of symphonic orchestral same, no sense of confusion of registers, plans remain clear and staged with the option not to change the atmosphere of the rooms or the works are played
on percussion and traditional instruments (kora, oud and other "winds"), on such tracks MEUs are "royal" in terms of holding power, speed and articulation
On the control of HP's grave (30 or 38 cm), nothing can disturb MEUs come, they start or the many other amps and not least a reputation overblown and tariffs stratospheric "explode in flight"
concluded MEUs are after listening depth, a sort of synthesis of the ampli "ideal" has one of the most serious and rapid maitris?s associated acute medium has a more open and the stamps, all with a holding power if we desire the most phenomenal and "seismic"
but icing on the cake has low MEUs maintain this balance and provide a listening pleasure without the slightest fatigue auditive
CLAUDE you possess great amps in the true sense of the term which do honor to the "MUSIC"
they appear to me so far in their entirety and synthesis among the best amps (all types (totora, hybrids, tubes and prices combined)
and god knows if in 25 years I have listened hifi
CLAUDE happy man you are, enjoy and appreciate the preservatives in as long as possible (this is an advice) these "jewels musical" qualities "extraordinary"
thank you for listening, respect and HATS OFF
LUC old vintage JBL / Infinity / ALTEC 'iste American
