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Looking more closely at the top of the amplifier,look as if you have used wood, not metal. Is that right?Guy 13
The 845 gain is only 6, the 211 gain is 12 and the great sound 805 tube has a gain of 50.Indeed low gain is a prob for the builders. These amps are really beautiful.
Just saw this thread, thanks for posting your work Unison845! I am looking into building a higher powered SET than my EL34 SET amp, but it is not cheap... I built an Aikido preamp that uses 6SN7s and has a gain of 10x (20 dB), it drives EL34s without the amp needing a driver stage. This works really well but it is only a 5.5 wpc amp in triode mode. I am curious what output tube / driver combo you would recommend to get 15+ wpc rms when used with the Aikido preamp, the input sensitivity could be in the 10-15V rms range... also, the Aikido has a relatively low output impedance and uses a cathode follower output tube.
Most DHT has low mu, there is a variety of tube that you can use without any problem driving them, it's just that I want to try the 10Y as input and driver, I built a preamp long time ago using the 10Y and I like it very much,The 805 even though is a high gain tube, but the problem is you have to use in class A2 + negative feedback. I prefer the pure sound of DHT without negative feedback.
For a 15W, I definitely recommend the 6C33C SE, on page 4, the second amp picture from top is the 6C33C SE that I have built. This is a great sounding tube, it does not have the midrange purity of DHT 845/211/212... , but it sounded so coherent from top to bottom, very clean. For an amp to sound better than the 6C33C, you will have to spend quite a large amount of money for a good pair of output/interstage transformer, then even more for the tubes! The rugged 6C33C tubes at less than $40, is the greatest bargain of all time!
Great post, I have this question in mind for years, Thanks for informing us. Iam a fan of the 6C33, GM70 and 805. The 6C33 OPTs are not expensives, I like this tube especially for its low impedance, metal plate and ready avaliable hi quality sockets at low prices.I also read good talk about the 6C33 treble and the bass is notoriously powerful.The 6C33 & GM70 are cheap tubes, the 805 are rare and expensive.So the way to go for a powerfull SET is only 6C33 or GM70, IMO.
Thanks for the rec, I was thinking GM70 but will certainly check out the 6C33C, I had not considered that tube before. In your 6C33C amp, what are you using for a driver tube and what did the input sensitivity turn out to be? Can I ask how much you spent on your 6C33C and GM70 amps? My projects are modest in comparison, but I still spent A LOT of cash on parts, nearly $1k each for the Aikido and EL34 SET.
There are many advantage with intertstage transformer.- Capacitor coupled measured better but interstage sounded so much better, the most obvious is from the bass to the midrange. I have not tried the expensive capacitor in the market (the silver and other outragously priced cap).- With capacitor coupled the driver stage need almost twice the voltage to get the same output swing.The ony thing is you want to get the interstage that has better bandwith than your output transformer, if not it will be the limiting factor to your amp sound.quote author=FULLRANGEMAN link=topic=68194.msg1231491#msg1231491 date=1370560790]Why do you like so much interstage transformers in your amps??Any sound quality relation??
What interstage/OPT are you using in the 10y/10y/211 amp? I am thinking about a 801A/211 amp (with input transformer) and was considering Tribute iron.