Customer FeedbacK:
"Dear James,
I wanted to wish you and all the folks at Bryston a very Merry Christmas and Happy Holidays.
And to thank you for the advice regarding shorter speaker cables. I had been using 8 ft. long 10 gauge twisted copper wire cables from our 3b amplifier to Thiel 3.7 speakers. The sound was quite good. However, after reading your discussion on audiocircle re: speaker wire, I ordered a pair of 4 ft. Bryston cables. Since connecting them to the 3.7's I have been pretty amazed at the difference in the sound. Best as I can describe it, the difference is similar to running a water faucet with the tap half open versus turning it on full stream. The Bryston cables do not color the sound, rather there is just more of it.
To reiterate what I told you in an earlier email: the BCD-1 is quite phenomenal! This afternoon I was playing a new CD of David Russell playing classical guitar, entitled AIR ON A G STRING. It was recorded using Direct Stream Digital, and the CD is 24/96 bit. The CD player puts Mr. Russell's guitar in the room with all the sustain and decay of notes, and naturalness of sound as if he were playing live in front of me. Wonderful. I would characterize the BCD-1 as absolutely honest. Which I consider a highest accolade for any sound component.
Having grown up with both parents classically trained musicians, in a house full of music, two grand pianos, and an assortment of guitars, flutes, recorders, I know what live music up close and personal sounds like. My mother was a concert pianist. She was a student of Rudolph Serkin. She went to Julliard and played both solo and with chamber music ensembles, taught piano, and practiced with us as her rapt audience. My father graduated from Julliard in voice. My sister is a professor of voice at Marshall University and her husband is the head of the flute department there. Both my brother and I are amateur classical guitarists. Thus when I describe the BCD-1 as being honest, I mean that it reproduces music from the CD, with the pitch, rhythm, timbre, tempo, and emotional impact that is true to the performance. Of course, with the caveat, that the recording of the performance is technically well done. If not, then the dark side of having reference quality components comes to the fore. You hear what is there.
So, thank you Bryston for building a superlative CDP.
Again, best wishes to all of you at Bryston for a wonderful Holiday Season!"
Best regards,
Richard Marshall